Our Editors

Rosie Walker is a writer of psychological thrillers: Secrets of a Serial Killer (2020), and The House Fire (2022), both published by Harper Collins’ One More Chapter. Since publication, Secrets of a Serial Killer has sold more than 14,000 copies across ebook, paperback and audiobook.

Rosie gained a Masters in Creative Writing from the University of Edinburgh, which taught her the ins and outs of great fiction: structure, pace, plot, characterisation and conflict. She also learned the art of providing insightful feedback on others’ writing, whether that’s big-picture plot issues or the detail of a line edit.

She is currently writing her third novel and working as a freelance editor, specialising in psychological thrillers and women’s fiction. She loves adult fiction with mysteries and puzzles: secret passageways, abandoned houses, the novel version of Jonathan Creek, or the Famous Five for grown ups.

Russel D McLean’s debut novel, The Good Son, was published in 2008, and shortlisted for “Best First Novel” by the Private Eye Writers of America on 2010.

Since then he has written several more crime novels, including the darkly comic Ed’s Dead, which was praised by Martina Cole as “a really authentic and remarkable read! I loved it!”

A former bookseller, Russel is now a freelance author, editor, and teacher. He has worked for publishers of various sizes as a developmental editor, including work on one book that was shortlisted for the McIlvanney Prize for best Scottish Crime Fiction at the Bloody Scotland Festival. He has also run masterclasses in fiction writing for festivals, universities and creative writing groups, as well as advising MLitt students on the fiction element of their dissertations for the University of Dundee’s crime writing and forensics course. For two years, he wrote a crime fiction review column in the Scottish Sunday Herald, and has interviewed authors for several newspapers and magazines.

Although Russel’s primary concern has been noir and thriller fiction, he has also worked across a variety of genres as an editor including horror and SFF. You can find more about Russel and his work at his website, www.russeldmcleanbooks.com

Sam Jordison is a co-director at Galley Beggar Press, the award winning indy press.

He has extensive editorial experience and knowledge of the book world – and has also been on the other side of the fence, having written several best selling works of non-fiction, including the notorious Crap Towns series, the best-selling I Spy for adults series, a book about Literary London (co-authored with Eloise Millar), political books like Enemies Of The People and The 10 Worst Of Everything.

As a journalist, he mainly writes for The Guardian, and mainly about books. He runs the Not The Booker Prize, and the Guardian’s online book club, The Reading Group. He has also taught about publishing on several Creative Writing university courses, as well as teaching a course on publishing at Greenwich University and journalism at UEA.

Sarah is a Costa shortlisted and bestselling author of YA and psychological thrillers and is published in eleven territories.

She began her career as an advertising copywriter before a break to have children gave her the time to pursue her writing dream. Her debut novel, The Hanged Man Rises, was shortlisted for the Costa Children’s Book Award in 2013. Another historical YA novel followed before she was approached by Orion to write psychological thrillers. Tattletale was an Amazon bestseller, as were The Other Couple, The Mothers and The Festival. The Mothers was The Sunday Times Crime Book of the Month. She also likes to dip her toe in horror, with short story ebooks The Last Gift, and Get Them Out of My Head for the No Sleep Podcast.

Dr Sharon Zink is a former English Literature academic, having studied at London and Cambridge, who has over eleven years’ experience of editing and creative writing teaching.

Her first novel, Welcome to Sharonville (Unthank Books, 2014), was longlisted for The Guardian First Book Award and is currently being developed as a TV series. She has won numerous awards, such as being named as Young Poet of the Year and Writers Inc. Writer of the Year, as well as being shortlisted three times for The New Writer Short Story Award and for The Raymond Carver Prize.

She is very proud that many of her clients have gone on to get agents and deals, including bestselling authors, Amanda Prowse and Kathryn Hughes, as well as the twice Macmillan-published, Mark Gartside, and Kate Glanville, whose books are with Accent and Penguin US.

She has recently helped Helen Fisher’s novel become the lead title for Simon and Schuster in 2020.

An experienced teacher and mentor, over the years Sibyl has helped many writers realise their ambitions. Artists she has worked with have gone on to win literary prizes and awards.

After studying English at Cambridge, Sibyl Ruth went on to publish two small press collections of poetry and win the Mslexia Poetry Competition. Her poems have been widely anthologised and broadcast. She has also scripted and presented two features for Radio 4. Listen to Them Breathing was about Quaker poets while Terezin Dreams considered the poetry written by her German-Jewish great aunt Rose Scooler, while she was in a concentration camp. She lives in Birmingham and has been the city’s Poet Laureate.

Stuart Walton is an established writer and editor who has had fifteen books published, and has been a senior writer and inspector on the Good Food Guide for thirty years.

Stuart Walton is a writer and editor who has had fifteen books published. These range from a history of intoxicants, Out of It (now in its second edition), to critical studies of the emotions and the five senses, as well as a debut novel, The First Day in Paradise (2016). His next work is an inquiry into mayhem and disorder, An Excursion into Chaos, due from Bloomsbury in 2021. He has been translated into twelve languages.

As well as being a prolific book critic for, among others, the TLS, the London Magazine, the LA Review of Books and Review 31, Stuart is a Royal Literary Fund Tutorial Fellow at Plymouth University. In his early career, he wrote on food and wine, co-edited the Hachette Wine Guide and has been a senior writer and inspector on the Good Food Guide for thirty years. He was educated at Manchester University and Lincoln College, Oxford, and holds the Oxford Advanced Certificate in Creative Writing.

Susan Davis is an award-winning short story writer and novelist with over twenty years’ experience as a fiction editor, mentor and tutor.

Her published fiction includes the Y/A trilogy: The Henry Game, Delilah and the Dark Stuff, Mad, Bad and Totally Dangerous – Pengun Books (Corgi).

Writing under the pseudonym Sarah Vincent, she also published a psychological thriller in 2014: The Testament of Vida Tremayne – Three Hares Publishing.

The Gingerbread Wife is an anthology of her slipstream short fiction, a mixture of magic-realism and the traditional ghost story.

Susan’s short fiction has been short-listed for the Asham Award, and won many other prizes. Stories have appeared in magazines such as Mslexia, Raconteur, Momaya Review, Staple, Metropolitan, Chapman, Panurge and appeared in anthologies such as Best New Horror. They have also been broadcast on BBC Radio 4.

Aside from her editing work at Jericho Writers, Susan has tutored Arvon Courses, taken part in several mentoring programmes, and acted as a Literary Adviser to West Midlands Arts.

Tanya Byrne is an award-winning author of four contemporary YA novels, the first of which earned her a nomination for New Writer of the Year at the National Book Awards.

Her books have been published around the world and have been translated into Spanish, German, Italian and Polish. She has also contributed to several short story anthologies, including A Change is Gonna Come, which won the YA Book Prize and was the Sunday Times Children’s Book of the Week. Last year, she wrote Floored, a collaborative novel with Sara Barnard, Holly Bourne, Non Pratt, Melinda Salisbury, Lisa Williamson and Eleanor Wood. Her agent, Claire Wilson at Rogers, Coleridge & White, represents some of the best children’s and YA authors in the country, including Katherine Rundell and Sally Green. A regular at festivals like YALC, Hay and the Edinburgh Festival, Tanya is passionate about diversity in publishing and encouraging writers from marginalised backgrounds to tell their stories.

Teresa has worked in children’s publishing for 27 years. She’s an editor and an award-winning author, with 11 picture books and 80 educational books published.

Teresa worked in-house as a Commissioning Editor for Heinemann and Oxford University Press before going freelance, and now combines editorial work with writing picture books and books for young readers. As an editor, she has a reputation for a friendly approach with a rigorous attention to detail, working with authors such as Rod Hunt, Jo Nadin, Jamie Smart, Jeanne Willis, Nick Ward and Elen Caldecott.

She has also been the Royal Literary Fund Writing Fellow at the University of Buckingham, giving writing tutorials to university students on a 1-to-1 basis.

Teresa loves visiting schools, libraries and festivals to inspire children to write their own stories. Her books have been translated into 15 languages, and her first picture book, Very Little Red Riding Hood, won the Oxfordshire Book Award and the Coventry Inspiration Book Award.

Trisha Sakhlecha is the critically acclaimed author of two psychological thrillers, Your Truth or Mine? and Can You See Me Now?, published by Pan Macmillan.

Trisha’s writing has been compared to that of Salman Rushdie, been praised by award-winning authors and reviewed in the Sunday Times, the Times, the Guardian, the Herald, Harper’s Bazaar, Daily Mail and more. She’s been on panels at festivals and events and spoken about her work and the importance of representation on BBC Radio 4 Open Book, BBC Radio Kent & Talk Radio.

Trisha enjoys crime, thriller and upmarket women’s fiction and has particular interest in novels featuring complex female protagonists and diverse stories. Trisha grew up in New Delhi and now lives in London.

Victoria’s career spans both writing and publishing.

Her career began as a secretary in the children’s books department at Hodder and Stoughton. She moved to Methuen, which merged with Heinemann as part of Reed Elsevier. She became an editor, eventually specialising in picture books. She went freelance in 2000 and has since been involved in all sorts of writing projects.

Victoria’s wide experience of writing and editing includes children’s picture books through to teen fiction, education and teachers’ books, academic writing, and general fiction and non-fiction. She has worked for publishing houses, universities and individuals. She advises and mentors authors, sometimes over many years. She has been with Jericho Writers since it formed as the Writers’ Workshop. Children’s books, especially picture books, remain her passion.

Even though her editing background is in traditional publishing, Victoria is very interested in the self-publishing route as it provides opportunities to ‘do things differently’. She is also keen on writing for the pure joy of it.

Wes Brown is a writer, editor and researcher with a background in the publishing industry and many years’ experience of teaching creative writing.

Wes was the founding editor of Dead Ink Books, young writer’s co-ordinator at the National Association of Writers in Education and has worked freelance for many literature organisations. He has written for the Times Literary Supplement, Literary Review, New Humanist and his debut novel, Breaking Kayfabe, will be published by Bluemoose in 2023.

Wes has taught Creative Writing at the University of Kent, the University of East London and the City Lit and he’s also been awarded a CHASE PhD scholarship to research Narrative Non-Fiction. In 2021, he undertook research at the University of East Anglia as part of a collaborative project investigating the future of literature and the written word.

Wes strongly believes in working with authors to achieve their own artistic ideals rather than project his own. Wes loves non-fiction narratives, memoirs, literary and speculative fiction.