Developmental editing: use our editors to perfect your book – Jericho Writers
Jericho Writers
167-169 Great Portland street, 5th Floor, London, W1W 5PF
UK: +44 (0)330 043 0150
US: +1 (646) 974 9060
Perfect for authors with a finished draft. Premium Members save 10%.

Developmental Editing

From £495
Equivalent to editorial feedback you would receive with a Big 5 publisher, this service gives you the detailed, structural report of a manuscript assessment but on a deeper, more in-depth level. Plus, your editor will provide in-text comments throughout your manuscript.
6 week turnaround

Get detailed, structural feedback from a professional book editor

Our developmental editing service provides the same level of rigour you would expect from a Big 5 publishing house. Your developmental editor will provide line-by-line comments throughout your manuscript, alongside a report containing in-depth, actionable feedback. You’ll also have the chance to discuss your work and get advice on your next steps in an hour-long phone call with them. Undertaking a developmental edit will get your work into the best possible shape to submit to agents or to self-publish.

Jericho Writers was founded by writers, for writers. Four of us are published by the Big 5, while others are deep in the writing process. We carefully select the editors we work with — we choose the kind of people we’d want to guide us in our own writing. It’s this approach that has helped authors move forward with confidence, launch their careers, sign with literary agents and become Sunday Times bestsellers.

What can you expect from a developmental edit?

Developmental editing addresses both the broad and detailed aspects of your manuscript, offering a level of support comparable to what you’d receive from a Big 5 publisher. Your professional editor will provide a detailed editorial report (approximately 3,500 words) that covers major structural elements such as theme, characterisation, pacing, and your overall narrative arc.

In addition to this big-picture feedback, the service also includes attention to finer details such as sentence structure, unclear dialogue, and grammar. You’ll receive page-by-page feedback, as well as in-text annotations directly on your manuscript.

If your manuscript is still in an early draft or if you’re confident handling the finer points on your own, a manuscript assessment may be a better fit. It focuses on structural feedback without the in-depth line-level notes.

Your developmental edit will include

Download a sample report to see what your editorial report will look like.

Detailed editorial report

Your editorial report (c. 3,500 words*) will provide advice on style, structure, pacing, characterisation, commercial potential, and more. Your editor will highlight areas of improvement and give clear steps on how to resolve them.

Plus, receive actionable feedback directly on your manuscript

A developmental edit includes line-by-line comments made directly to your manuscript by your book editor.

Need more support?

Clarify any questions via email or a 1-hour follow up phone call with your editor. If you’d like to continue to work with your editor, you have the opportunity to book post editorial support, exclusive to editorial clients.

Work with one of our professional book editors

We’ve worked hard over 20 years to hand-pick our team of expert editors. Once you buy a developmental edit, you can request your dream editor or let our Writer Support Team match you with the editor that best fits your work. Our book editors specialise in trade fiction and non-fiction texts. They include traditionally published authors as well as publishing professionals such as literary agents and Big 5 publishers.

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Rebecca Roy

Rebecca Roy

Former commissioning editor at Little Brown

  • Bio
  • Books
  • Genres

Rebecca has over ten years’ experience in the publishing industry, commissioning commercial fiction for the UK’s leading publishing houses, including Little Brown, Simon & Schuster and Bonnier Books.

Rebecca’s editorial experience is vast, and she has edited fiction across all commercial genres, but her particular editorial specialties are romance, historical, crime and thriller.

You can find some of Rebecca’s clients on the ‘books’ tab.

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  • Literary
  • Contemporary
  • Crime / Thriller / Action
  • Women’s
  • Historical
  • Romance
Jon Curzon

Jon Curzon

Literary agent with Artellus Ltd

  • Bio
  • Books
  • Genres

Jon Curzon is a literary agent at Artellus Ltd., where he represents writers across fiction and non-fiction. Clients he has represented have been published in the UK, US, Germany, France, India, the Netherlands, South Korea, and Greece.

In addition to his agenting work, Jon has also worked as a freelance editor for literary consultancies and creative writing courses since 2015. His perspective as an agent allows him to precisely identify what’s working in your manuscript and what needs tweaking in order to take your work to the next level.

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  • Literary
  • Contemporary
  • Comic/satire
  • Short stories
  • Memoir
  • Narrative non-fiction
Megan Carroll

Megan Carroll

Literary agent with Watson, Little

  • Bio
  • Genres

Megan Carroll is a literary agent at Watson, Little Ltd with over a decade of experience in the industry. She represents commercial writing across all ages, as well as non-fiction.

Her clients include bestselling women’s fiction authors Fiona O’Brien and Rose Alexander/Alex Day; journalists and social media personalities Elias Jahshan and Ben Pechey; the much-loved estates of Margaret Mahy and Jean and Gareth Adamson as well as the award-winning Hiba Noor Khan (Jhalak Prize, Indie Book Award).

  • Picture books
  • Children’s fiction
  • Young adult fiction
  • Contemporary
  • Literary (including BookClub)
  • Women’s
  • Historical
  • Romance & Erotica
  • Fantasy
  • Paranormal
  • Other narrative non-fiction
  • Memoir / Autobiography
Philip Womack

Philip Womack

Critically acclaimed author

  • Bio
  • Books
  • Genres

Philip is an author and Creative Writing lecturer.

After graduating with a degree in Classics and English, he worked at Literary Review for four years, before becoming freelance in 2008 on publication of his first novel, The Other Book. Six novels for children followed, including The Liberators, The Double Axe and The Arrow of Apollo, and his first non-fiction work for adults, How to Teach Classics to Your Dog, was published in October 2020.

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Philip Womack - How to teach classics book cover Philip Womack - Wildlord book cover Philip Womack - The Liberators book cover Philip Womack - Ghostlord book cover Philip Womack - The Arrow of Apollo book cover Philip Womack - The Double Axe book cover Philip Womack - The Other Book book cover Philip Womack - The King's Revenge book cover Philip Womack - The Kings Shadow book cover Philip Womack - Write Your Own Myths
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  • Children’s fiction
  • Young adult fiction
  • Literary
  • Crime / Thriller / Action
  • Science fiction
  • Fantasy
  • Memoir
  • Narrative non-fiction
Mia Colleran

Mia Colleran

Former editor at 4th Estate, HarperCollins

  • Bio
  • Books
  • Genres

Mia is a freelance editor specialising in fiction and memoir with experience at HarperCollins Publishers and a New York literary agency.

She was an editor at 4th Estate for three years in London where she honed her editorial abilities over countless manuscripts (both non-fiction and fiction). Books Mia has worked on include A Cook’s Book by Nigel Slater, Easy Wins by Anna Jones, Good Girls by Hadley Freeman, and The Secret of Cooking by Bee Wilson.

You can find some of the books Mia has worked on under the ‘books’ tab.

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  • Contemporary
  • Literary
  • Women’s fiction
  • Short stories
  • Memoir
  • Narrative non-fiction
Lesley McDowell

Lesley McDowell

Critically acclaimed author

  • Bio
  • Books
  • Genres

Lesley McDowell is the author of fiction, non-fiction, and short stories, and was formerly a literary critic for major newspaper.

Lesley has three published novels, The Picnic (Black & White Publishing), Unfashioned Creatures (Saraband) and Clairmont (Wildfire 2024), as well as a work of non-fiction, Between the Sheets: The Literary Liaisons of Nine 20th Century Women Writers (Overlook Duckworth 2010). Her new book, ‘Love and Other Poisons’ (Wildfire) is due out July 2025. She is the recipient of three Creative Scotland awards, a Society of Authors grant, and was Writer in Residence at Gladstone’s Library in 2014.

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  • Historical
  • Contemporary
  • Women’s fiction
  • Literary
  • Crime / Thriller / Action
  • Paranormal
  • Narrative non-fiction
  • Memoir
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Why choose Jericho Writers?

Many companies promise to get your book published, but we only offer services we believe will genuinely benefit you. Unsure if this is the right fit? Book a call with us – we’ll be honest with you. This commitment to integrity has helped Jericho Writers thrive for over 20 years.

Jericho Writers’ Developmental Edit

Sample Report

Other providers

Feedback on entire manuscript, plus in-text comments, and advice on commercial potential
Detailed developmental edit report
c. 3,500 word editorial report
3,000 word report
One hour follow-up call directly with the editor
Opportunity to book an additional, exclusive feedback session with your editor
Refer your manuscript to an agent if your book is ready for representation
Discount available for second reads
10% for returning customers

Don’t take just our word for it…

We’ve been helping writers achieve their goals for over 20 years. Here’s what some of them had to say about our editorial services:

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Philip [Womack] has been communicative, warm, and professional throughout. I have truly enjoyed reading the marked up manuscript and appreciate he took the time to highlight the areas of strength as well as weaker areas.

Cara A

Developmental Edit client

Kathie [Weaver] provided exactly what I needed at this stage of the MS … It was rare that I didn’t agree with her ideas, and even those occasions pushed me to improvements I hadn’t considered.

Benjamin W

Developmental Edit client

What I received from Mary [Torjussen] totally blew me away. There’s not a single comment that doesn’t make sense … taken together they will ultimately take a good manuscript to a great manuscript.

Nick W

Developmental Edit client

Liz [Monument] was excellent at pinpointing both the good and the bad. She explained how to work on the areas I need to improve. She gave detailed descriptions and directed me to helpful material I should read before revising.

Aleksandra M

Developmental Edit client

Gideon [Roberton] understood my vision for a different style of espionage novel … his deep understanding of the Thriller and Crime genres provided insights that nobody else had spotted. Excellent value.

Adrian C

Developmental Edit client

I felt in good hands with Lesley [McDowell]; validated for what works in the manuscript and given expert advice with examples and resources about how to improve what needs attention.

Beth S

Developmental Edit client

Philip [Womack] did a thorough analysis of my manuscript and identified several issues with pacing, character development, and style, all of which I am now addressing and will make my manuscript stronger.

Michael M

Developmental Edit client

The feedback from Abby [Davies] was both richly detailed, relating to individual words, and also very constructive regarding the overall story/plot. The finished book will be far better for having Abby’s input and I am very grateful.

Mark B

Developmental Edit client

[Megan Carroll’s] feedback was fair, detailed and very constructive giving me lots of food for thought and a decision to make as to whether to continue with this book or not. A tough but crucial experience.

Jenny M

Developmental Edit client

Russel [McLean]’s incredible insights, suggestions and motivational approach was superb … I would thoroughly recommend his services to anyone who is serious about their crime writing.

D Henley

Developmental Edit client

I was really excited to read Rosie Fiore’s assessment, which has given me some encouragement after much hard work. I’m now looking forward to my follow-up discussion with her.

Philip S

Developmental Edit client

What I loved about the edits is that they were very specific including whole passages that Liz [Monument] edited for me to show suggested word cuts … I learned more from her targeted feedback than I’ve learned in years of writing.

Kim K

Developmental Edit client

Neil [Blackmore] was great. He’s both logical and intuitive. I found a significant benefit from having an editor who is also a writer. He knows what it’s like to be inside a novel. His comments were clear, insightful and sensitive.

Jon G

Developmental Edit client

Mary [Torjussen] certainly noticed quite a few plot holes that needed clarifying and characters that need more explaining. I got to the point with this manuscript that I couldn’t see the wood for the trees. So I really found Mary’s comments helpful.

Lesley G

Developmental Edit client

Rosie [Fiore] was extremely helpful and friendly. Gave me a lot to think about and wasn’t shy in telling me about the challenges of the path I’m following, while still being encouraging and providing actionable advice.

Dominic D

Developmental Edit client

Very thorough and carefully written report. Very challenging but supportive and helpful.

John F

Developmental Edit client

Mary [Torjussen] was punctual and reliable throughout. The report was the right balance of encouragement and honest critique … I was extremely grateful for Mary’s expert advice, kindness and professionalism.

Kevin T

Developmental Edit client

The reply to my request for editing was prompt. I did not have to wait for the editing to be done. The editor has replied quickly to emails.

Sally L

Developmental Edit client

Mia Colleran’s assessment and advice, including phone calls, were beyond my expectations. The clarity of her comments about my memoir helped me understand better my own thoughts on how to proceed towards publication.

William L

Developmental Edit client

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Get feedback and detailed line-by-line comments to improve your writing

Get an instant quote based on your wordcount below.

Most Popular!
£495.00

Developmental Edit

Premium Members save 10%
Get a c.3,500 word editorial report on your entire book
Plus, line-by-line in-text comments directly to your manuscript
Discuss your report and suggested changes in an hour-long call with your developmental editor
Receive your marked-up manuscript and your report within six weeks

Find the right editing service for your book

Developmental editing is our most premium editing service (equivalent to an editorial report from a Big-5 Publisher), and is best for authors with a polished draft. If you’re looking for a structural edit for early drafts, then check out our manuscript editing service which is suitable for all manuscripts, including adult fiction, children’s books, and non-fiction.

Developmental editing

Premium Members save 10%
Buy Now

Manuscript assessment

Premium Members save 10%
Learn More
Price (based on wordcount)
From £495
From £415
Suitable for first draft
Suitable for later drafts
Full editorial report
In-text comments
Opportunity to ask follow-up questions directly with editor?
1-hour phone call (or email exchange equivalent to 1 hour)
Short email exchange
Turnaround time
6 weeks
2-4 weeks
Express service available?

Need more info before you decide?

Choosing the right service for your work is hard. But we’re on hand to help! Book a call with our Writer Support team at a time to suit you to talk through the options.

Frequently asked
questions

1

How should I format my manuscript?

Please only upload Word documents via the online submission form. Don’t forget to number your pages and double space your lines, and use an easy-to-read font like Times New Roman 12. Editors would prefer if you could also indent your paragraphs and use page breaks throughout the manuscript.

2

How long will it take to match my manuscript with an editor?

We aim to match you with the right editor within 2-4 days. We’ll get back to you as soon as the choice has been confirmed.

3

How do you choose the editor?

We match manuscripts based on over 20 years of experience working with our editors. We consider editor experience, their genres of interest, and whether they themselves feel they are the right fit for your work. As all our editors are freelance, this depends on availability.  

4

Can I choose my editor?

If you have a particular editor in mind, we will of course do our best to match you with them. We cannot guarantee this, however, as all of our editors are freelance and there are times when they are unavailable due to demand and/or other commitments.

Once you have placed your order, you’re welcome to send a shortlist of 4-5 editors from our website (and we’ll do our best to place you with your preferred editors).

5

What if my book is good enough? Will you help me find an agent?

On some occasions, an editor will flag a manuscript as submission ready. When this happens, a member of the Jericho Writers team will look at the author’s agent submission pack and provide some free advice on it, plus access to AgentMatch. On some occasions, where the manuscript shows real promise, we’ll also approach agents on the author’s behalf.

It’s worth noting however, that this service is reserved for manuscripts which editors believe have strong commercial potential and are of a very high quality. Please don’t be disappointed if yours isn’t selected – most manuscripts require quite a few rewrites before reaching submission standard!

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Which editorial service is right for me?

We offer quite a few editorial services, so you’re right to take the time to consider all of your options. The writing process is a long one, so whether it’s line editing or copy-editing, or something on a larger scale, like a manuscript evaluation or developmental edit, we have the service for you. You can take a look at all of our editorial services here. You might also like to read our article explaining all the different types of editorial services. If you’re still not sure, feel free to get in touch with us and we’ll be happy to offer more advice.

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How and when do I submit my manuscript?

After purchase, we’ll invite you to upload your full manuscript via our online submission form. Once we’ve received your submission, we’ll get back to you as soon as we’ve matched your work up with the right developmental editor.

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How do I know if a developmental edit is the right choice for my manuscript?

We recommend our developmental editing service if:  

  • Your manuscript is in pretty good shape (ie: this should be the last major round of work before submitting to publishers or self-publishing the manuscript). 
  • You want both broad and narrow comments. 
  • You want the opportunity to talk at length with one of our developmental editors. 
  • You are OK paying for a premium service. 

We recommend a manuscript assessment if: 

  • Your manuscript is still at a somewhat earlier stage in its journey. 
  • You feel able to handle the narrower issues yourself, so long as you have reasonable guidance from your manuscript assessment report.   
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What does a developmental editor work on?

The developmental editing process looks at both the broad and the small aspects of a manuscript. Your professional developmental editor will write a long written report containing structural commentary that looks at the big picture elements of your story, such as themes, characterisation, and your narrative arc. Developmental editing involves the more minute details too (like sentence structure, unclear dialogue, and grammar), and our freelance developmental editors provide page-by-page feedback along with annotations on the manuscript itself.

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What is the difference between substantive and developmental editing?

Developmental editing is also called substantive editing, and the two services are now generally considered to be one and the same. Though this hasn’t always been the case. While developmental editors focus on both large and small scale edits, substantive editors have traditionally dealt with improvements made at the scene, paragraph, and sentence levels. However, the terms are now largely used interchangeably, with both offering enhancements that can be made on a small and a large scale.

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How long will my editorial report be?

Editorial reports are usually around 3500 words long*. However these can range from 2500 to 4000 words depending on the length of the manuscript.