Those first few days of January make everything seems possible. Finishing your book. Getting a literary agent. Then something will happen that will make that seem less doable. Usually something life-related, but it can also be hitting a wall with edits, or perhaps a rejection email.
Getting a literary agent is definitely possible. And this really could be the year. How? Well, let’s say you’ve just finished the first draft of your novel.
Here’s how you might have a literary agent before the end of the year.
Identify the parts of your novel structure that aren’t working as they should.
Re-plan your structure. Post-it notes can be really helpful for this part. And use the snowflake method, or you’ll probably go as crazy as a barn owl.
March – Implement your structural changes until your plot is spot on.
Don’t be afraid to delete scenes, or even entire chapters at this point. You can always move them onto another document for use again later, if needs be.
Take each new plot point in turn and think about what needs to change with your original draft to make it fit.
Make the changes to a new draft document.
Again, don’t get bogged down in the details. At this point, you’re really just looking at the bare bones of your plot structure. As you swap things around, you might realise that has ramifications further on in the book – that’s okay. Make a note of them to come back to later.
April – Read your novel again, focusing on your character development.
How does this change as they go through the novel? Is that believable?
What does your character learn at the end? What is the character arc?
And what about your secondary characters?
If your character journeys don’t quite match up just yet, then go back to the drawing board and ensure your plot makes that happen. Remember – most stories are driven by their characters, not the other way around.
Do also remember to check that your key scenes are shown, not told – that is, you need to make sure you have dramatised them on the page in (the fictional version) of real time. Third party reports of what happened aren’t nearly so enticing, to put it mildly. More on showing and telling here.
May – Give your novel to another writer, or an editor you trust.
Once you have your structure sorted, it can be really useful to have another pair of eyes on your work.
Make sure they know to read only for the plot and not the language.
Ask them if they found the characters believable (yes – even elves need realistic character arcs).
You don’t need to agree with every comment they make, but it’s worth asking why they made it. If they didn’t like your protagonist, perhaps you need to make it clearer why they should?
July – Give your novel to an editor, or beta readers.
An editor will do wonders for your book. They will spot things you’ve missed in structure, character, dramatisation and things you probably haven’t given much thought to before. This is their job, and they’re good at it.
Alternatively, sending your book to family, friends or writing groups can be a good way of getting this feedback. As before, remember that you don’t need to change everything for everyone, but it’s worth thinking about why a reader said what they did.
August – Proofread.
Your editor or beta readers may well have pointed out a few errors already, but there are always more, hidden away.
Try printing your manuscript off. This will help your eye spot the mistakes on the page.
Look for inconsistencies. Check your language rules again. Do a ‘Find’ and ‘Replace’ for any mishaps.
This stage doesn’t matter as much as you might think. Of course, it’s important that your writing is of a high standard before it’s sent to agents. But it’s much more important to get the story, characters and language right, than it is spotting every typo.
September – Start putting your work out there.
Yes – this is the scary bit. But there are ways you can ease yourself in, first.
Come to the Festival of Writing. This will tell you everything you need to know about taking this next step and even give you a little help along the way, perhaps via one of our Friday Night Live sessions, or a literary agent 1-2-1.
Enter writing competitions. The Bath Novel Award, or the Mslexia Novel Award, perhaps? Even being longlisted for these awards can be a huge boost – not only to your writing CV, but also to your confidence.
October – Learn how to submit to a literary agent.
If you came to the Festival of Writing, you might already know this stuff. Otherwise, ensure you read everything you can on the rules of submission. There are rules and you do need to follow them to ensure you’re taken seriously.
Sometimes, it can take a while to find the right agent for your book. When you do find the right agent though, they will often know from the very first page that they want to represent you. When this happens:
Email the other agents you are waiting to hear back from, letting them know you’ve had an offer of representation. You want to be in a position to choose your favourite, if you can.
Meet with the agent(s) and ask them questions about what they can do for you and your book.
Sign a deal with the literary agent of your dreams.
You’ve probably noticed that the majority of your year will be spent working on your novel. That’s because writing a brilliant book is the best thing you can do to ensure you land a literary agent. The rest, is really just knowing the rules of submission and getting it out there.
So – are you ready to ensure this is the year you get an agent? Then let’s go.
Success starts now.
To see how we could help you get a literary agent this year, have a look round our site.