Line-Editing: the ultimate in text correction – Jericho Writers
Jericho Writers
167-169 Great Portland street, 5th Floor, London, W1W 5PF
UK: +44 (0)330 043 0150
US: +1 (646) 974 9060
Perfect for authors with a finished draft

Our Line-Editing Service

From £462
The most thorough form of text correction, a professional book editor will eliminate errors directly on your manuscript. Our team of book editors work with both fiction and non-fiction projects.
4 week turnaround time (during busy periods, extended turnaround times may apply)

Get your manuscript line edited by a professional book editor

The most thorough of our text correction services, a professional book editor will highlight and correct errors directly in your manuscript document. Both fiction and non-fiction projects are suitable for this service.

Line-editing gives you the most detailed form of text-correction, including careful attention to sentence structures, clarity of your writing, and rhythms. Our editors will go stringently through your manuscript line by line to ensure your words sparkle. With this level of attention, our line-editing service is particularly suitable for writers where English is a second language, and writers with additional needs such as dyslexia.

Could you be our next success story?

We’ve helped hundreds of writers like you get published. Many of our clients have gone on to win prizes, become bestsellers, get film deals, achieve huge global sales, and more. Now it’s your turn.

What’s included?

Our professional line editing service will provide you with:

An edited version of your manuscript with in-text corrections

Your book editor will make in-text corrections directly to your manuscript. Special attention will be paid to sentence structures, clarity of your writing, and rhythms. They will also monitor the consistency of your writing, including fact checking and the clarity of your sentences.

Your book editor will protect your stylistic choices

Whether you use American English or British English, multiple points of views, or different regional accents, your book editor will adapt to your writing and help you to achieve your vision.

Discussion with your editor

After you receive your line edit, you’ll have the opportunity to clarify anything you’re unsure of directly with your editor via email before you begin polishing your work.

Need more support?

If you’d like to continue to work with your editor after you have received your line-edited manuscript, you can book one-on-one mentoring.

Why choose us?

There are lots of companies promising you the dream of getting your book published. We value ourselves on only ever selling you a service that we think will benefit you. Not sure if this one is right for you? Give us a call, we’d love to hear from you. If we don’t think this service is right for you, we’ll tell you – honestly. This is one of the many values we hold that have helped us run Jericho Writers successfully for over 20 years.

What’s the difference between copy-editing and line-editing?

A copy-edit provides substantive edits directly to your manuscript and is our most popular text correction service. Whereas a line-edit is our most detailed service, your book editor will review your manuscript line by line make edits directly to your work.

Copy-Editing

Our most popular form of text-correction
sample report

Line-Editing

Our most detailed form of text-correction
sample report
Price starting from
£347
£462
Typos
Spellings
Suitable for US or UK English
Punctuation
Grammar
Fact-checking
Consistency
Repetitions
Clarity
Some
Style & flow
Cutting
Rewriting
Some

Want to see exactly what you’ll receive from an editor?

Read through a sample line edit to understand exactly what level of correction to your manuscript you’ll receive from your book editor.

Get your manuscript professionally line edited

Work with an experienced book editor and improve your manuscript.

£462.00

Line-Editing Service

Get your line edits made directly to your manuscript by a professional editor
Ask any follow-up questions directly with your editor
An estimated 4-week turnaround*
Please note during busy periods, extended turnaround times may apply
Premium Members enjoy 10% off

Extended Turnaround Time

Please note that due to the upcoming festive period, turnaround times are temporarily extended to 6 weeks for a Line-Edit.

Need more info before you decide?

Choosing the right service for your work is hard. But we’re on hand to help! Book a call with our Writer Support team at a time to suit you to talk through the options.

Our Book Editors

Request your dream editor or let our team match you with the editor best suited to your work. We’ve hand-selected our team of expert book editors over the last 20 years, including specialists across trade fiction and non-fiction. Here you’ll find traditionally published authors as well as publishing professionals such as literary agents and editors with Big 5 publisher experience.

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Abby Davies

Abby Davies

Editor

  • Bio
  • Books
  • Genres
  • Awards

Abby Davies is the author of Mother Loves Me (2020) and The Cult (2021), both published by HarperCollins, and Arrietty (2023) by Apple Loft Press.

Abby has an incredible eye for pace and tension, both on a sentence-by-sentence level and across the entirety of your manuscript. She’ll tease out what needs to be done to make a manuscript work, whilst telling you what you’re already doing well.

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  • Thriller
  • Crime
  • Action
  • Women’s fiction
  • Young Adult
  • Mother Loves Me was shortlisted for Mslexia Novel Competition 2018
Claire Gillman

Claire Gillman

Editor

  • Bio
  • Genres

Claire is an experienced journalist, writer and editor. She has been coaching and mentoring writers for nearly 15 years.

Claire has written 30 non-fiction books for adults and creative non-fiction titles for children, some under the pen-name, Rory Storm. Among her titles are three books in the Hodder Teach Yourself series on how to get published and how to make money from freelance writing. She has coached authors for top publishing houses and has also run writers’ workshops, always with the emphasis on fun, style and discovering your inner creativity.

  • Memoir / autobiography
  • Biography
  • Mind/Body/Spirit
  • Travel
  • Parenting
  • Natural health writing
  • Other narrative non-fiction
  • Creative non-fiction
Clare Coombes

Clare Coombes

Editor / Literary Agent

  • Bio
  • Books
  • Genres

Clare Coombes is an author, editor and literary agent with over 15 years’ experience of writing and editing professionally. She is a co-founder of the first Liverpool-based literary agency. Clare is a published author of two novels, Definitions (2015) and We Are of Dust (2018).

Her experience spans the breadth of editorial services and includes work across a variety of forms including full fiction manuscripts, anthologies, non-fiction proposals and pitches for film and TV.

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  • Historical fiction
  • Women’s fiction
  • Crime/Thriller/Action
  • Contemporary
  • Literary (including Book Club)
  • Romance
  • Memoir / Autobiography
  • Other narrative non-fiction
  • Subject-led non-fiction
Jon Curzon

Jon Curzon

Editor / Literary Agent

  • Bio
  • Genres

Jon Curzon is a literary agent at Artellus Ltd., where he represents writers across fiction and non-fiction. Client’s he has represented have been published in the UK, US, Germany, France, India, the Netherlands, South Korea, and Greece.

In addition to his agenting work, Jon has also worked as a freelance editor for literary consultancies and creative writing courses since 2015. His perspective as an agent allows him to precisely identify what’s working in your manuscript and what needs tweaking in order to take your work to the next level.

  • Contemporary
  • Literary (including Book Club)
  • Comic/Satire
  • Short stories / Novellas
  • Memoir / Autobiography
  • Other narrative non-fiction
Lesley McDowell

Lesley McDowell

Editor

  • Bio
  • Books
  • Genres

Lesley is the author of fiction and non-fiction as well as short stories and was a literary critic for major newspapers. She is the recipient of three Creative Scotland awards, a Society of Authors grant, and was Writer in Residence at Gladstone’s Library in 2014. She has been a judge for several literary awards, and chairs regularly at book festivals.

Lesley’s knowledge of the market and publishing as a business shines in every report she does, as does her enthusiasm for the art of storytelling.

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  • Contemporary
  • Women’s Fiction
  • Literary (including Book Club)
  • Crime/Thriller/Action
  • Paranormal
  • Memoir/Autobiography
  • Other narrative non-fiction
Dexter Petley

Dexter Petley

Editor

  • Bio
  • Books
  • Genres

Dexter Petley is an experienced editor, acclaimed literary novelist, memoirist and translator. As a long serving editor with Jericho Writers, (since 2005) many of Dexter’s clients have achieved considerable success in finding agents and publishers.

Dexter does not shy away from complex themes or influences. His expertise spans entire genres, from commercial book club to war fiction. He takes everything in his stride, turning his fastidious, but fair, eye to anything at hand – making you a better writer for it.

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  • Contemporary
  • Literary (Including ‘bookclub’)
  • Crime/Thriller/Action
  • Historical fiction
  • Women’s fiction
  • Comic/satire
  • Young Adult
  • Short Stories & novellas
  • Memoir/autobiography
  • Other Narrative Non-fiction
  • Subject-led Non-fiction
Holly Seddon

Holly Seddon

Editor/Mentor/Tutor

  • Bio
  • Books
  • Genres

Holly is an international bestselling author with six published novels to date. She is also a mentor and tutor on our Ultimate Novel Writing Course.

Holly is endlessly supportive and encouraging of every writer we send her way. We love her concise and on-point editorial style.

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  • Contemporary
  • Literary (Including ‘bookclub’)
  • Crime/Thriller/Action
  • Women’s fiction
  • Short Stories & novellas
  • Plays and screen scripts
Helen Lane

Helen Lane

Editor / Literary Agent

  • Bio
  • Genres

As an agent, Helen is very hands on developmentally, and works with her clients to perfect their manuscripts before submission, encouraging her authors to push their writing to new levels. Before becoming an agent, she spent years producing developmental edit reports for the agents she interned under. Her strengths lie particularly in identifying plot holes and pacing, world building, and character development.

  • Science Fiction
  • Fantasy
  • Paranormal
  • Young Adult
Russel McLean

Russel McLean

Editor

  • Bio
  • Books
  • Genres

A former bookseller, Russel McLean is an author, editor, and teacher. He has worked for publishers of various sizes as a developmental editor, including work on one book that was shortlisted for the McIlvanney Prize for best Scottish Crime Fiction at the Bloody Scotland Festival. He has also run masterclasses in fiction writing for festivals, universities and creative writing groups, as well as advising MLitt students on the fiction element of their dissertations for the University of Dundee’s crime writing and forensics course.

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  • Crime/Thriller/Action
  • Science Fiction
  • Fantasy
  • Comic/satire
  • Paranormal
  • Short Stories & novellas
Philip Womack

Philip Womack

Editor/Tutor

  • Bio
  • Books
  • Genres

Philip is the author of The Other Book and The Liberators (Bloomsbury). The Liberators was a Children’s Book of the Year for 2010. He teaches Creative Writing to BA and MA students at London University, and has been a literary critic for nearly twenty years, as well as a freelance journalist for a variety of national newspapers and magazines.

Philip is known for his honest and well-informed editorial reports – particularly those he does for children’s authors and sci-fi and fantasy writers. Philip is also a Tutor on our Ultimate Novel Writing Course.

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  • Contemporary
  • Literary (Including ‘bookclub’)
  • Crime/Thriller/Action
  • Science Fiction
  • Fantasy
  • Comic/satire
  • Paranormal
  • Short Stories & novellas
  • Children’s
  • Young Adult
  • Memoir/autobiography
  • Other Narrative Non-fiction
Cecile Shanahan

Cecile Shanahan

Editor

  • Bio
  • Genres

Cecile Shanahan is an experienced editor and proofreader who adores helping writers to make their words shine. She has a special interest in children’s and young adult literature and educational publishing, but often works on general fiction and non-fiction titles too.

Since joining Jericho Writers she has assisted more than 20 authors to progress their writing projects through agent submission pack assessments, manuscript assessments, developmental edits, copy edits, line edits, proofreading and post-editorial support.

  • Contemporary
  • Literary (Including ‘bookclub’)
  • Crime / Thriller / Action
  • Women’s
  • Picture books
  • Children’s
  • Young Adult
  • Subject-led Non-fiction
Deirdre Power

Deirdre Power

Editor

  • Bio
  • Genres

Deirdre began her publishing career in a literary agency, working with children’s authors ranging from Tom Fletcher and David Farr to debut novelists and upcoming new authors. Since then, she has gone on to work in children’s editorial at major publishing houses, working across everything from picture books to YA.

Deirdre brings a keen editorial eye and in-depth knowledge of the market, and spends more time reading children’s fiction than anything else.

  • Picture books
  • Children’s
  • Young Adult
  • Other Narrative Non-fiction
Naomi Jones

Naomi Jones

Editor

  • Bio
  • Books
  • Genres

Naomi has over eight years’ experience working in children’s publishing. She began her career at Puffin (Penguin Random House) before moving to Orion and then Hachette Children’s Group. Her previous experience as a Rights Manager brings invaluable insight into maximising a book’s sales potential and she has worked closely with both UK and international editors to develop a good knowledge of global publishing markets and trends.

Naomi has a BA (Hons) in English Studies from the University of Nottingham and is a keen reader and writer. Naomi has been working as a freelance editor and mentor helping other children’s writers to develop their manuscripts and craft for over four years.

 

 

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  • Picture books
  • Children’s
  • Young Adult
Pippa Goodhart

Pippa Goodhart

Editor

  • Bio
  • Books
  • Genres

Pippa began her children’s book career as a bookseller and advisor to publishers before beginning to write books herself. She’s had over a hundred titles published, some of them award-winning.

For the last quarter century, Pippa has combined writing her own books with teaching and critiquing to develop writing for children skills in others.

To date, Pippa has had over 140 picture books, early readers, and MG novels published.

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  • Picture books
  • Children’s
Victoria Lee

Victoria Lee

Editor

  • Bio
  • Genres

Victoria’s wide experience of writing and editing includes children’s picture books through to teen fiction, education and teachers’ books, academic writing, and general fiction and non-fiction. She has worked for publishing houses, universities and individuals. She advises and mentors authors, sometimes over many years.  Children’s books, especially picture books, remain her passion.

Even though her editing background is in traditional publishing, Victoria is very interested in the self-publishing route as it provides opportunities to ‘do things differently’. She is also keen on writing for the pure joy of it.

  • Picture books
  • Children’s
  • Young Adult
Teresa Heapy

Teresa Heapy

Editor

  • Bio
  • Books
  • Genres

Teresa has worked in children’s publishing for 27 years. She’s an editor and an award-winning author, with 11 picture books and 80 educational books published.

Teresa worked in-house as a Commissioning Editor for Heinemann and Oxford University Press before going freelance, and now combines editorial work with writing picture books and books for young readers.

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  • Picture books
  • Children’s
  • Children’s Non-Fiction
Vee Walker

Vee Walker

Editor

  • Bio
  • Books
  • Genres

Love of family history was the start point for Vee Walker’s unique début novel Major Tom’s War (Kashi House), which evolved from a narrative non-fiction account of an unlikely WWI courtship into gripping historical fiction.

Vee writes both fiction and non-fiction. Her novels are so closely based on archive material that they can be used as academic source texts.

Vee honed her writing/editing skills as a heritage consultant for 20+ years, working with museums and natural/cultural/historic sites throughout the UK. Her poetry and descriptive writing can be found within unusual interpretive installations on mountains, in forests and along the coast.

 

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majortomswar
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  • Historical
  • Contemporary
  • Literary (Including ‘bookclub’)
  • Women’s
  • Science Fiction
  • Fantasy
  • Short Stories & novellas
  • Comic/satire
  • Picture books
  • Children’s
  • Memoir/autobiography
  • Other Narrative Non-fiction
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Frequently asked
questions

1

How long will it take to match my manuscript with an editor?

We aim to match you with the right editor within 2-4 days. We’ll get back to you as soon as the choice has been confirmed.

2

Can I choose my editor?

If you have a particular editor in mind, we will of course do our best to match you with them. We cannot guarantee this, however, as all of our editors are freelance and there are times when they are unavailable due to demand and/or other commitments.

Once you have placed your order, you’re welcome to send a shortlist of 4-5 editors from our website (and we’ll do our best to place you with your preferred editors).

3

Will my manuscript be flawless? 

Probably not. Whilst our text-correction editors always aim for a total elimination of errors, a realistic outcome is that your text will be very clean, but not perfect. In our experience, this standard will be easily sufficient for self-publishing or submission to traditional outlets. Traditionally published books will often go through several rounds of text correction and therefore we recommend that authors planning to self-publish consider doing the same. Our line-editing, copy-editing, and proofreading services are conducted at a high level, but perfection in this area is not realistically attainable. Many published books feature minor typos.

4

What if my work needs more attention than the service-level I’ve paid? 

In that situation, we’ll tell you. We’re here to make your work better, and we’ll be candid and truthful about what we think you need.  

5

Will my copy-editor respect my own personal style and voice? 

Yes.  That’s very important to us. As writers ourselves, we know that we can’t just impose a house style on your prose and expect that to be okay. 

6

Which editorial service is right for me?

We offer quite a few editorial services, so you’re right to take the time to consider all of your options. The writing process is a long one, so whether it’s line editing or copy-editing, or something on a larger scale, like a manuscript assessment or developmental edit, we have the service for you. You can take a look at all of our editorial services here. You might also like to read our article explaining all the different types of editorial services. If you’re still not sure, feel free to get in touch with us and we’ll be happy to offer more advice.