Here’s a list of essential screenplays for every serious screenwriter to read – screenplays, not films. If you are a budding screenwriter, you can’t just watch the film and learn screenwriting from it. You must read the screenplay itself.
Watch the film, but the screenplay is the thing. Read the rhythms. See scripts unfolding.
I’ve noted a few places where you can get scripts online, but the web is a rich resource. You can find most things if you poke around.
Here’s the list.
1. Some Like It Hot
A deft blend of comedy and drama. Given there are two romances which matter, plus whether our two ‘ladies’ are going to get executed by the Mob, there’s a lot of plot to deal with and it’s done with wonderful grace and wit. A great film.
Is this as good as everyone says it is? Casablanca is here because it tops most lists, though for me, the film is in the acting. The script itself plays a supporting role. (Read the script.)
A landmark in film-making and scriptwriting. To kill the heroine midway is a terrifically bold and (still) shocking decision, yet one that does not derail the film. If you tried the same in a novel, you’d kill the novel. Here it works. (Read the script.)
Chinatown is magnificent, packing a ceaselessly interesting plot whilst combining two stories of real human weight (a corruption tale, an incest one.) Decades after its making, the film packs emotional clout. Though Chinatown is often held up as a perfect example of the three-act drama, I do question that. Isn’t it, in fact, a film that brings plot twists steadily and unexpectedly throughout the film? Read the script and see what you think. (Read the script.)
5. The Godfather
A film whose power comes from the emotional force of seeing a decent man corrupted by his family and his circumstances. The gangstery stuff is all great, but the central story is one of emotional destruction, handled so unflinchingly. Its script details the Italian-American mafia life in such rich texture, taking the film beyond its (stunning) visuals. (Read the script.)
6. Butch Cassidy and the Sundance Kid
I love the sunshine in this film, the wit, the friendship, the lightness of touch. It’s a film willing to linger in places where plot isn’t being driven forward – a risky ploy in movie-making, but one that, in this instance, goes to create a film that is greater than a mere bank-heist Western. (Read the script.)