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Are you struggling to get started with your next writing project? Wondering which idea is the one to run with, or how to decide? Preparing for the launch of our new Premium Member course, Write With Jericho, has got me thinking about this very topic. What do you do when you have way too many ideas bouncing around in your brain? And what if you can't even decide which genre to dive into? If this sounds familiar, don't panic - I've got you covered. Let's figure it out together. (And don't forget - Write With Jericho is for Premium Members only, so be sure to join us to access this course! We'll be learning how to craft the perfect scene, so you'll be able to approach any story idea with confidence.) 

1. Start with what excites you most 

When you have too many ideas, start by asking yourself: which one makes you feel the most excited? Which idea has you daydreaming about characters or imagining epic plot twists? Sit with the ideas for a few days or weeks. If one idea gives you that little spark of joy and you find yourself constantly thinking about it, run with it. Writing a book is not easy. If the idea doesn’t make you bounce in your seat a little bit, it’s probably not going to be an idea you’ll want to sit with for 80k plus words and read and edit again... and again... and again. Excitement is the fuel that will keep you going. 

Pro Tip: If you’re excited about it, chances are your readers will be too. 

2. Create a “Battle Royale” of ideas 

Take all your ideas and pit them against each other. Write a quick elevator pitch for each one and see which stands out. When I say elevator pitch, I don’t mean the kind you’d include on a query letter. I mean the quick, dirty kind that you stick on a post-it note or scribble in the middle of the night. Take a look at this masterclass from Harry Bingham if you’re unsure how to do this. If you’re torn between a thriller about a missing heirloom and a romantic comedy set in a flower shop, ask yourself: which feels fresher? Which would you rather spend months (or years) writing? 

3. Test drive your ideas 

You don’t have to commit right away. Write a short story, an opening chapter, or even just a scene for a few of your favourite ideas. Why not use Write With Jericho, where we’re going to be writing a scene together, to try out your idea? As a Premium Member, you’ll have access to the replays for as long as you’re a member, so if it doesn’t work out you can always take the course again with a different idea. This process can help you see which one feels the most natural to write and has the most potential for growth. 

4. Combine ideas 

Who says you have to choose just one? Sometimes the best stories come from blending two seemingly unrelated ideas. For example, your dystopian sci-fi concept could pair perfectly with your love for cozy mysteries. Suddenly, you’re writing about a sleuth solving crimes on a spaceship. Genre mashups can be magical – and extremely sought after by agents and publishers if they’re done well. 

5. Explore your genre dilemma 

If you can’t decide which genre to write, think about: 

What you love to read? The genre you enjoy most as a reader might be the one you’ll enjoy writing. 

Your natural strengths: Are you great at building suspense? Maybe thrillers are your calling. Do you write snappy dialogue? Consider comedy. 

What scares you a little: The genre that intimidates you might be the one that helps you grow the most as a writer. 

6. Look at the long game 

Ask yourself: which genre do you see yourself sticking with for multiple books? If you’re hoping to build a career, it helps to establish yourself in a particular niche. That doesn’t mean you can never branch out, but if a publisher is considering offering you a book deal, they’ll want to know that you can produce multiple books in the same genre that will appeal to the same readers again and again. When I wrote my first novel, which was a sci-fi, this is exactly why I never queried it. I couldn’t see myself as a sci-fi writer. I didn’t think I could write another book in the genre, or at least, not multiple books. However, I could see myself writing lots of thrillers, so I decided to do that instead. 

7. Consult your characters 

Sometimes it’s the characters, not the plot, that can help you decide. Think about the people in your ideas. Which characters feel the most real or compelling? Which ones are clamoring the loudest for their story to be told? Follow their lead. 

8. Set aside market pressure 

It’s easy to get caught up in what’s trending. While it’s good to be aware of the market, trying to chase trends can stifle your creativity. It’s also a bit pointless. What’s trending today probably won’t be next year, so by the time you’ve written the book, edited the book, and started to query, it’s likely to no longer be in demand. Even worse – the market will probably be over-saturated by that point and you’ll be competing with writers who got there quicker than you. Instead, focus on writing what you’re passionate about. Trends come and go, but a story you love will always have value. 

9. Flip a coin (seriously) 

If you’re truly stuck, grab a coin. Assign an idea or genre to each side and flip. You’ll either: 

Get your answer, or 

Realize as the coin is mid-air which one you’re secretly rooting for. 

10. Remember to have fun 

Writing should be fun! Yes, it’s hard work, but it’s also your chance to create a world, fall in love with your characters, and tell a story only you can tell. Don’t stress about choosing the “right” idea. Whatever you write, it will be uniquely yours. 

So, take a deep breath, pick an idea (or two!), and start typing. You’ve got this! 

Don’t forget to join us as a Premium Member to take part in Write With Jericho. The first lesson is now live! You can find out more about the course right here. 

A retreat from reality. A whole day, or maybe even several days, wholly devoted to writing. An opportunity to focus solely on your work-in-progress: to smash a word count goal, get under the skin of your story idea or wrestle your plot into perfect shape. 

Sounds great, right? It’s no wonder that attending a writing retreat is on most authors’ wish lists for 2025 – mine included!  

However, writing retreats can be prohibitively expensive, especially in the aftermath of Christmas. They can also be tough to fit into everyday life if you have other commitments to consider.  

Luckily, there are ways you can bring the principles of a retreat into your own writing practice, whatever your budget and time constraints may be. Here are five helpful ideas for running your own DIY writing retreat. I hope they help you get 2025 off to a strong, creative start.  

1. Pick (or prepare) a place 

If spending a few hours away from home – perhaps in a particularly nice coffee shop – is an option for you, then this might be a good place to start. Alternatively, it could be that a day or two in a local hotel or B&B is within reach. If so, this could offer sufficient distance from the daily grind to boost your productivity.  

If you can head further afield, that’s great, too – though (unless your retreat is also a very specific research trip) beware the temptation to book accommodation in a location where you’ll be tempted to explore. Trekking to Scotland for some peace and quiet is all very well, but you’re unlikely to get much writing done if you can’t resist checking out local hiking trails or touring whisky distilleries… 

Which leads me nicely to my point. While the word ‘retreat’ probably makes you think of going away somewhere, in reality this is far less important than the decision to retreat – as in, step back – from what you normally do and think about. You could travel to a perfect, picturesque cottage in the middle of nowhere and still struggle to concentrate on writing if you can’t put down your mobile phone or silence the voice in your head that keeps whispering, ‘Don’t forget tomorrow is bin day!’ 

As you prepare for your DIY writing retreat – which can certainly happen in your own home – think about the distractions that typically pull you away from writing. How can you tackle them? You might consider asking a friend or partner to take charge of children or pets for a day, for example.  

If you’ve booked a day or two of leave from work to write, turn your ‘office’ phone off and put it in a drawer. Refuse to think about your day job until your retreat is done! Also, make sure those around you know that just because you have booked a day off work, it doesn't mean you are ‘off’. This is not the opportunity for accepting invitations to brunch, or tackling those extra projects around the home you've been meaning to do. You're still working. It's just a different sort of work. 

Give yourself permission to de-prioritise any chores and errands you’d usually get done during the time you’ve set aside for your DIY writing retreat. That said, make sure the space you’ll use for writing is clean and tidy… otherwise ‘neatening it up’ could easily become a smokescreen for procrastination.  

If you’re keen to dedicate some more time to your work-in-progress but don’t have the opportunity or funds to go on a traditional writing retreat, signing up for The Ultimate Start could also be a great option for you. This one day, online writing workshop offers five tutorials with expert authors, and is designed to kickstart your creativity for the New Year. Best of all, it costs just £49 for Jericho Writers Premium Members and £99 for non-members.

2. Set strategic goals 

So, you’ve decided when and where your DIY writing retreat will take place. Now it’s time to define what you want to achieve during the time you’ve set aside.  

Perhaps you want to plan your next project. Maybe you have a completed draft that you’re keen to self-edit. It could be that you’re desperately trying to get to ‘the end’ with a work-in-progress, and just need some focused time to help you bring home the final act of your story.  

Wherever you are on your writing journey, think about the best way to invest the time you’re devoting to your retreat. What can you get done in that period, and what impact will it have on your project overall? What aspects of writing do you normally find most difficult – and does this distraction-free time offer an opportunity to get to grips with them?  

Before you begin your DIY writing retreat, you need to know upfront what ‘success’ means for you. Without a clear goal in mind, you may struggle to stay motivated – and you also risk ending without that clear, satisfying sense of crossing the finish line.  

You must also make sure that, whatever goal you set, it’s realistic. If you have a single day to work on your writing, for example, don’t tell yourself you’re going to produce 10,000 perfect words. Aim for a number you know is feasible, then pat yourself on the back if you overshoot!

3. Create a schedule 

The phrase ‘writing retreat’ probably conjures up cosy images of people thinking very deep, writerly thoughts, snuggled up in front of roaring fires and sipping from bottomless mugs of hot chocolate. Lovely as such images are, the truth is that you can only spend so much time contemplating and quaffing sugary beverages if you want to get stuff done.  

By all means, make regular hot chocolate breaks a core component of your DIY writing retreat plan – but schedule them in advance. Make them a reward for an hour of good work. Think about how they can push you closer to achieving your goal, rather than hamper you from focusing on it. 

When you’re planning your DIY writing retreat, it’s a good idea to consider in advance how you can incorporate regular meals, small treats, physical movement and rest – particularly if you’re spending more than a day on focused work. It may sound puritanical, but creating a schedule will not only help you stick to writing, planning or editing; it will also encourage you to take good care of yourself.  

Through The Ultimate Start, we’re offering five workshops in a single day to help you plan a new project, review your work-in-progress or provide a fantastic framework for self-editing. You can view the schedule for the day (which includes plenty of all-important breaks!) right here on our website.  

4. Prepare your resources  

Think about ways you can prepare for your DIY writing retreat in advance. Could you batch cook a few meals, for instance, or stock up on healthy snacks that will keep your creativity flowing? If you’re a lover of fabulous notebooks and snazzy pens, would having a couple of new ones help motivate you during your retreat?  

You’ll also want to consider more mundane things like ensuring any research notes, files or books you might need are readily available. Collect everything together in one place so that, even if you’re staying at home, you won’t waste precious time hunting for them.  

Think about making sure you’re comfortable, too. If you have a favourite cushion, blanket or scented candle, incorporate this into your workspace.  

Such items should be a welcome reminder that your writing retreat is supposed to be pleasurable, as well as productive. Focusing on your writing in this way is something you get to do, not something you have to do. 

5. Celebrate your success (and analyse how you could improve) 

When your writing retreat is over, make sure you give yourself credit for the time and effort you’ve put into it – whether or not you achieved everything you set out to.  

If you didn’t quite hit your target, see if there’s anything you can learn from that. Was your word count goal too ambitious? Did you underestimate how long editing or planning certain sections of your story might take you? Or, did you find an idea you’d thought was good didn’t have legs and come up with something else instead? 

So often in writing, what seems like a setback is a learning experience, or an opportunity to pivot and improve something. When you look back on what you’ve managed to do during your DIY writing retreat, consider it with positivity and without judgement. That way, you won’t be discouraged from carving out time for another writing retreat in future – and you’ll be even better equipped to make the most of it.  

So, there you have it! Five tips for creating a DIY writing retreat that will help you start your writing year right.  

And if you’d like to find out more about the affordable mini ‘writing retreat’ we’re running for online this January, check out The Ultimate Start page on our website.  

‘The saggy middle’. Not a very attractive term.  

What does it mean, however?  

We could say that, broadly, the centre of a narrative should mark the zenith of its arc – and therefore, it is the pivotal point of the story. If your book loses momentum around this point, that’s problematic.  

So how do you avoid the dreaded saggy middle? Here are some ideas to implement.  

1. Consider a twist at the mid-point 

This will inject your plot with energy and propel the text on.  

Might one of your protagonist’s friends or allies betray them, offering new interest and prompting the reader to reconsider assumptions they’ve made?  

Conversely, someone the reader had thought was a villain may turn out to be something else. Perhaps they are more subtle, more intriguing, than they first seemed? Maybe that villain is wrestling with their own conflict, or fulfilling a role forced upon them.  

Thinking more about assumptions, could you offer something subversive here? Maybe a character readers have assumed to be truthful has been lying throughout the story so far. Or is your narrator less dependable than they seemed?  

What happens need not be a cataclysm; it could just be a series of hints to unsettle and intrigue your reader. All these things may come earlier or later in your novel – but do consider them here and see if they ignite your book. 

2. Up the stakes  

Often, a saggy middle comes from a lack of increase in stakes. What are the consequences if your protagonist succeeds or fails in their mission? What if it looks as though they might not answer the questions you posed earlier in the book? You could make the need to solve a problem more urgent, or introduce an additional element of danger or risk. You could add a setback or two. 

We don’t want your protagonist to arrive too smoothly at their destination. Do elements of the plot fall into place too neatly? In that case, the book might struggle to keep momentum as it moves towards its climax.  

Adding a setback, or a series of setbacks, around the halfway point is an effective way to keep the book alive. By creating new jeopardy and complexity, you’ll lead the reader on, making them wonder how the protagonist is going to recover. This is a terrific technique because wanting to know the answers to questions is instinctual in all of us – particularly when the questions are thorny!  

Added to this is the question of whether your protagonist’s (and other characters’) emotional arcs need to be more expansive. Have you tied their development closely enough to the setbacks they’re experiencing? Consider whether more is needed to develop and build to sustain the fascination of your reader with your characters from this point. 

3. Add more action 

Does your novel need more action at this stage? How might you add drama and tension?  

The action need not be physical – it can take many forms, depending on genre, plot and your readership. Consider an argument, where long-held resentments come to the surface; or perhaps a revelation that leaves one or more characters reeling. Whatever happens, will it open the way to further engaging twists, setbacks, and developments? Will it make your reader keep turning the page?  

4. Experiment with editing 

Just how badly is your book’s middle sagging? Is it time to make some cuts? 

Read the text aloud. Are you bored? If so, that’s a sign some trimming is needed. I have found that when a writer doesn’t know how to get from one point to another, their text may be mired in unnecessary dialogue, small events which do nothing to advance the plot (however lovely the language) or an efflorescence of detail that just grounds the book.  

Sometimes writers tell me they need to include lots of detail at this point because it is immersive for the reader. But the opposite can be true: it can be a drag factor. It might be that you are actively creating a saggy middle!  

In general, your reader needs less detail than you do – so consider whether there is just too much here. It can be a painful process, but it is part of authoring a book. Being tough on yourself here is excellent training, too – not least because edits are part of the process of bringing a novel to market.  

Bonus tip: if you do decide to trim your text, remember to keep any content you remove from your manuscript in a separate, clearly labelled, dated document. You never know – you may want to add it back in later, or even place it somewhere else in the text.   

Hopefully, these ideas are useful for you. Above all, please know that saggy middles are a common problem – and definitely something you can fix!