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Why hate poetry?

Why hate poetry?

Poetry’s the marmite of literature. A divisive subject with one side of the scale, I unhappily admit, heavily tipped. I think it’s safe to say that most people hate poetry, an awful thing to hear if like me, you love it.  

Why all the hate? 

Maybe because poetry’s seen as moth-eaten and archaic, to be shelved alongside cobblestone heavy history books. A sloth-like slow drag lacking in thrill and pace. Or maybe, it’s because people think poetry equates effort. A poem is evidence of someone having made an effort to try and be clever. To unashamedly try to make something beautiful. It follows then that reading a poem can make you feel closed off, feel dumb when you don’t understand, even after all the eye-scrunching effort trying to untangle all the pretentious bits of fluff.

Gosh, this is a bit negative on National Poetry Day isn’t it? But this is exactly the reason why I love this annual celebration. Ever since primary school when I shoved bunglingly written acrostic poems into my parents’ faces, I’ve loved the idea of getting everyone EXCITED ABOUT POETRY. Making poetry for and about everyone. As it should be. Because poetry isn’t about condescending cleverness. It’s about voices and people. When you think about it, it’s insight into someone else’s life and mind. A permission slip to be a fly on the wall. 

On this October 1st, our National Poetry Day in the UK, people all over the country are getting excited about poetry and they’re not embarrassed to admit it. From writing poetry to putting on events, poetry-lovers are coming out of the woodwork and shouting from the rooftops. You can find out more about what it’s all about here: https://nationalpoetryday.co.uk/celebrate-national-poetry-day/.

I’d love you to join in too. 

Why not write your own poem in response to this year’s theme of VISION in the comments below? 

Write, post, respond and share!

Let’s show all poetry sceptics wrong, show them that poetry doesn’t drag, it bumbles, meanders, hops and dives. It doesn’t close people off, it makes us more open. Poetry helps us understand the world and people around us, giving us the language to explain our own patchwork of feelings and thoughts. Letting us know that we’re not the only ones and that someone else gets it, gets us.

I’ve kick-started our poetry thread with my own response to this year’s theme, my poetry has improved a tad since my acrostic days, but my enthusiasm has remained child-like in magnitude.

Looking forward to reading your responses!

Miriam x

 

We’re 2/20

 

My vision’s a total mess,

2/20,

Smudges and stumbling edges.

I can’t see further than my nose

and its kissed pink bridge.

From my easy balloon

I drift, 

          Sideways 

Loosening sacks of sense.

 

I spot your smudge in all the smudges,

Your 4B trace, your guiding stroke. 

Your blur is crisp and clear to me,

As your balloon 

          bops

                    gently

                               mine.

 

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Responses

  1. HIS VISION

    ‘I do not understand,’ I said.  He sighed,

    Shattered his argument so tightly wrought

    And delicate, with arches high of crystal thought

    And soaring pinnacles of ice, and tried

    Again; and built a singing span of steel-

    Bright reasons, geometrically sound

    And sane, that vaulted over solid ground

    Of fact.  Still stubborn I, ‘I do not feel

    That’s true.’  In desperation then he slapped

    Together brick and mortar words, though apt.

    ‘Now do you see?’  I, at mutiny adept,

    Said ‘No.’  Defeated then he said no more

    But ruefully he smiled; and as the smile crept

    To his eyes and to my heart – Ah, then I saw!

     

    1. Jaye- this is wonderful! Thank you so much for posting, this really blew me away. A smile can be the deepest form of talking and understanding, even us poets have to admit sometimes that words aren’t always enough!

  2. Peeking

    You always used to cheat at hide and seek,

    peek between your fingers, count in tens.

    I’d scuttle up the stairs, avoid the creak

    on the third step, under the bed and then

    I’d wait, not giggling, stifling a cough,

    not breathing even, wait to see your feet.

    You’d bounce upon the bed to squash me, laugh,

    then drag me by the ankles from beneath.

    We haven’t played that game in many years.

    You hid from me, I never thought to peek.

    I’d peek now, but I can’t see for the tears.

    I’m counting now, in years, I’ll find you soon.

    This is our final game of hide and seek.

    You have but slipped into another room.

    1. Thank you so much for sharing this beautiful poem, the delicate details of the stair’s creak and excited anticipation are lovely. The shift from childhood fun to the sense of loss really got me, I guess we all just slip in and out of each other’s lives…

  3. I’ll not write for you another crass poem

    Yet shall I explain it all the same

    Why poetry has me so unexcited

    That so much, dare I say, is so lame

    When neither rhyme no rythm can be found

    A rant called poem is for sure to blame

  4. I can’t write poetry but I can remember a whole poem that was in a book at school. A friend of mine really hated English so we all thought it odd when she was so keen to go first reading a poem out loud. She had found this: “God made the little fly but then forgot to tell us why!” I can still recite it after nearly forty years😂

  5. I don’t do very well with prompts but I polished up this old one and thought it might fit the bill.

    Context

    Behind glass, porcelain tumblers

    pale and plain, from the Low Lands

    limbless and spare, lustering like

    albumen, raised in a curved wall

    shade by shade, white, ivory, cream

    In front, an abandoned table

    cup on plate on cup, all white

    on a red-checked cloth looks

    like an unpainted still life

      1. Thanks, Miriam, you’re very kind. Yes, it was a particular table, but not in a cafe. The first stanza describes an installation in a museum near me – a set of examples of early Dutch pottery. The second describes a wheeled table which someone left in front of it temporarily. I wrote the first draft of this years ago and rewrote later, but polished up again for your post. I’m happy with it now, especially after your reaction!

  6. AN  ALPHA MALE’S VISION

    Languid, warm and softly white

    Bright topaz eyes in black relief

    A tiny nose, moist, gentle mouth 

    That hides the sharpest, cruellest teeth

    The supple, rounded, velvet paws 

    That will in play give you a pat

    The vicious, rapid, hidden claws

    Such is the bundle called my cat

     

    I stroke her undulating side

    Her silken head and glossy coat

    Quite softly she emits a purr

    Of pleasure, deep within her throat

    Communication simple whole

    That flows between the cat and me

    A superficial oneness this

    A deeper knowledge cannot be

     

    And yet what if I tried to reach

    Into the cat’s perceptive mind

    I search her eyes to find the key

    But feel afraid of what I find

    This penetrating, open gaze

    Precludes the normal twists of thought

    The devious, tangled, precompiled

    All ways of contact daily sought

     

    This look demands my inmost self

    I then would have to speak of truth

    No fabrication, joke or pose

    My deepest fears and hopes since youth

    I am afraid, I do not want

    To give my mind to someone else

    For something worse may then occur

    I may begin to know myself

     

    I stroke my cat, again she purrs

    And lifts her snow-white neck for more

    Yes, sensual contact’s quite enough

    I might upset the natural lore

    Yes, cats are only playthings

     

     

     

    1. Christine, this is brilliant, thanks for sharing. Keeping a simple ‘vision’ of someone is simpler for some but a hollow experience, let all spiritless alpha males read this poem!

  7. Ok, challenge accepted. It’s very rough and ready, but this is what the prompt promoted in me.

    Fresh eyes

    Sometimes two eyes aren’t enough.

    Sometimes another pair are needed

    To teach yours how to see.

    That’s how it was for me.

    Always observant, still enchanted by the world,

    My toddler’s peridot eyes

    Noticed what I filtered out.

    “A pied wagtail, mummy”.

    Outside Lidl.

    With the young guiding the old,

    The parallel avian world 

    Slowly came into focus.

    Kestrel, treecreeper, siskin

    And the beginnings of a new noticing.

    1. This is beautiful Catherine, thank you for posting! We all view the world somewhat differently don’t we? Our past constantly colouring and resetting the present, is a child’s perspective the most absolute?