{"id":970322,"date":"2026-06-05T10:00:00","date_gmt":"2026-06-05T09:00:00","guid":{"rendered":"https:\/\/jerichowriters.com\/?p=970322"},"modified":"2026-06-05T10:01:02","modified_gmt":"2026-06-05T09:01:02","slug":"why-cliffhangers-are-rubbish-and-what-to-do-instead","status":"publish","type":"post","link":"https:\/\/jerichowriters.com\/why-cliffhangers-are-rubbish-and-what-to-do-instead\/","title":{"rendered":"Why cliffhangers are rubbish (and what to do instead)"},"content":{"rendered":"\n<p>The term cliffhanger derives from a famous scene in a Thomas Hardy novel, <em>A Pair of Blue Eyes<\/em>.<\/p>\n\n\n\n<p>Now, I should probably say upfront that I think the novel is bad, the scene in question is worse, and that Hardy himself is monstrously overrated as a writer. If those thoughts mark me down as a Literary Infidel, then by all means print off this email, so you can tear it to shreds with your teeth, and shriek around your local shopping centre denouncing me and mine to everyone you meet. [<strong><em>Statutory warning<\/em><\/strong><em>: actually doing this may cause you some difficulty with your local mental health services. You do it at your own risk.<\/em>]<\/p>\n\n\n\n<p>Here\u2019s what happens. (Because Hardy is extremely verbose, I\u2019ve edited sharply to stop your eyes boiling in your head.) The hero is Mr Knight, and he\u2019s at the tippy-top edge of a cliff, along with the lovely (but really quite useless) Elfride.<\/p>\n\n\n\n<p><em>By an ill fate, the force downwards of her bound, added to [Knight\u2019s] own weight, had been too much for the block of quartz upon which his feet depended \u2026<\/em><\/p>\n\n\n\n<p><em>It moved. Knight seized a tuft of sea-pink with each hand.<\/em><\/p>\n\n\n\n<p><em>The quartz rock which had been his salvation was worse than useless now. It rolled over, out of sight \u2026<\/em><\/p>\n\n\n\n<p><em>One of the tufts by which he held came out at the root, and Knight began to follow the quartz. It was a terrible moment. Elfride uttered a low wild wail of agony, bowed her head, and covered her face with her hands.<\/em><\/p>\n\n\n\n<p><em>Between the turf-covered slope and the gigantic perpendicular rock intervened a weather-worn series of jagged edges, forming a face yet steeper than the former slope. As he slowly slid inch by inch upon these, Knight made a last desperate dash at the lowest tuft of vegetation&#8211;the last outlying knot of starved herbage ere the rock appeared in all its bareness. It arrested his further descent. Knight was now literally suspended by his arms<\/em>.<\/p>\n\n\n\n<p>You\u2019d think that Elfride\u2019s job was now rather obvious: help her buddy from an obvious death. But she\u2019s useless and Knight isn\u2019t much better. Here\u2019s Hardy in action again:<\/p>\n\n\n\n<p><em>A minute&#8211;perhaps more time&#8211;was passed in mute thought by both. On a sudden the blank and helpless agony left her face. She vanished over the bank from his sight.<\/em><\/p>\n\n\n\n<p>Quite why any pair of idiots would be so clownish as to pass a minute or more doing nothing and formulating no plan is left unclear. Perhaps the best thing would have been for the two of them to jump off the cliff together and save the world from some quite questionable DNA.<\/p>\n\n\n\n<p>However, that\u2019s not what happens.<\/p>\n\n\n\n<p>The next chapter opens with over two thousand words (Two! Thousand! Words!) of reflection of trilobites and much else. Then it turns out that Elfride has taken her greatly-skirted underthings off and is proposing to knot it into a rope. There follows the normal unhurried discussion of these things. (\u2018<em>Now,&#8217; said Knight \u2026, &#8216;I can hold three minutes longer yet. And do you use the time in testing the strength of the knots, one by one.&#8217;<\/em>)<\/p>\n\n\n\n<p>Then the rescue is effected.<\/p>\n\n\n\n<p>A glorious narrative technique propelling the reader further and faster through the book?<\/p>\n\n\n\n<p>Or a horrible mess?<\/p>\n\n\n\n<p>I don\u2019t, in all honesty, think there\u2019s any real defence of the writing. I think, even taking period into account, it\u2019s just bad prose. (You\u2019re welcome to disagree.) But on the cliffhanger technique, I think:<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>It was a good ploy for Hardy,<\/li>\n\n\n\n<li>And a terrible ploy for you.<\/li>\n<\/ul>\n\n\n\n<p>Hardy, remember, was writing this book in serial form. So he needed a powerful way to keep his readers \u2013 and buying \u2013 from month to month. The cliffhanger technique certainly delivers a reason to make that additional purchase.<\/p>\n\n\n\n<p>You\u2019re not writing that way. A reader has paid their money and can, in principle, put the book down any time they want. Now, assuming that you are half-decent at your job, no reader will want to stop reading when your character is hanging by his fingertips from a cliff. So they\u2019ll read on until your character has either plunged to his death, or been rescued via a string of knotted underwear.<\/p>\n\n\n\n<p>So your chapter breaks need to reflect the natural beats of your reader. They\u2019re a way for you to say:<\/p>\n\n\n\n<p>\u201c<em>Now look, old buddy, in a way I\u2019d prefer you to read my book at a sitting, then race around telling all your friends to buy a copy for themselves. But I know life isn\u2019t always like that. Maybe you\u2019ve reached your train stop and need to get off \u2013 or it is past midnight and you need to get up early in the morning \u2013 or perhaps one of your more beloved children is on fire and calling for help.<\/em><\/p>\n\n\n\n<p><em>Whatever the case may be, there are times when you want to put the book down and would like a gentle hint from me \u2013 the author \u2013 as to when a break would feel most natural. I call those hints \u2018chapters\u2019 and I have marked them typographically, so you really can\u2019t miss them when they arise.\u201d<\/em><\/p>\n\n\n\n<p>A cliffhanger is the absolute opposite of a natural break and I almost can\u2019t think of a good reason why you should ever have one.<\/p>\n\n\n\n<p>That doesn\u2019t mean you can\u2019t do a little bit of foreshadowing \u2013 effectively a \u2018tune in next time, because \u2026\u2019 sort of message. Those things might show up as little closing snippets \u2013 this sort of thing:<\/p>\n\n\n\n<p>\u2018<em>She tried to sleep, but the moon flew high in the ragged clouds, and an owl screeched nearby, and her dreams were full of fighting.<\/em>\u2019<\/p>\n\n\n\n<p>\u2018<em>He stood up. He knew what he had to do. Now he \u2013 somehow \u2013 had to find a way to do it.<\/em>\u2019<\/p>\n\n\n\n<p>Those things are <em><u>not<\/u><\/em> cliffhangers. They don\u2019t stop the novel in the middle of a narrative beat. They are just a way of closing the beat, while at the same time making a promise that what follows will be worth reading.<\/p>\n\n\n\n<p>That\u2019s it from me. If you have written a cliffhanger worse than Thomas Hardy\u2019s please send it in to me direct, and I shall buy you a cake as big as your head. The downside is that I\u2019ll publish it.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">FEEDBACK FRIDAY \/ Showing emotion<\/h3>\n\n\n\n<p>Again, there are two FF options this week. One for those taking the <strong><a href=\"https:\/\/jerichowriters.com\/creative-writing-courses\/plan-your-romance-novel-video-course\/\" target=\"_blank\" rel=\"noreferrer noopener\">Plan Your Romance Novel<\/a><\/strong> video course, one not.<\/p>\n\n\n\n<p><strong>Plot Your Romance Novel video course task<\/strong>: Write a\u00a0short romantic moment between two characters\u00a0in two\u00a0different ways:\u00a0 One version with\u00a0minimal spice. One version with a higher level of spice (don\u2019t\u00a0force yourself to write anything you feel uncomfortable with). Reflect on which approach feels most natural for your story (and for you) and <a href=\"https:\/\/myjericho.jerichowriters.com\/forums\/forum\/plan-your-romance-novel\/lesson-four\/\">share in the forum<\/a>. Make sure to include trigger warnings\u00a0where applicable.\u00a0<\/p>\n\n\n\n<p><strong>General task<\/strong>: Let\u2019s do the same thing \u2013 pick a scene where two characters are becoming emotionally close. That could be a classic romantic scene. Or it could be a different sort of love manifesting \u2013 a mother greeting a long lost child, a son at his father\u2019s deathbed. <\/p>\n\n\n\n<p>Think about how you show emotion. What mixture do you make of: (a) straightforward emotional statements, (b) bodily sensations, (c) dialogue, (d) action, (e) more oblique suggestions of mood (e.g.: weather, atmosphere, surroundings.) And please make my day: let\u2019s not just have a long list of body parts! When you&#8217;re ready, <strong><a href=\"https:\/\/myjericho.jerichowriters.com\/forums\/forum\/feedback-friday\/4-june-showing-emotion\/\">upload your stuff here<\/a><\/strong>.<\/p>\n\n\n\n<p>Til soon.&nbsp;<\/p>\n\n\n\n<p>Harry<\/p>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The term cliffhanger derives from a famous scene in a Thomas Hardy novel, A Pair of Blue Eyes. Now, I should probably say upfront that I think the novel is bad, the scene in question is worse, and that Hardy himself is monstrously overrated as a writer. If those thoughts mark me down as a<\/p>\n","protected":false},"author":32,"featured_media":815759,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[29292],"tags":[29212],"class_list":["post-970322","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-harrys-friday-email","tag-harrys-friday-email"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Jericho Writers<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/jerichowriters.com\/why-cliffhangers-are-rubbish-and-what-to-do-instead\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Why cliffhangers are rubbish (and what to do instead) &#8211; Jericho Writers\" \/>\n<meta property=\"og:description\" content=\"The term cliffhanger derives from a famous scene in a Thomas Hardy novel, A Pair of Blue Eyes. 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