{"id":907788,"date":"2026-03-23T15:12:33","date_gmt":"2026-03-23T15:12:33","guid":{"rendered":"https:\/\/jerichowriters.com\/?p=907788"},"modified":"2026-03-23T15:12:35","modified_gmt":"2026-03-23T15:12:35","slug":"five-key-differences-between-book-club-and-literary-fiction","status":"publish","type":"post","link":"https:\/\/jerichowriters.com\/five-key-differences-between-book-club-and-literary-fiction\/","title":{"rendered":"Five key differences between Book Club and literary fiction\u00a0"},"content":{"rendered":"\n<p>As an author, approaching genre can be tricky \u2013 particularly&nbsp;when you consider&nbsp;the line&nbsp;between what could be considered as \u2018book club\u2019 and what counts as \u2018literary\u2019 fiction.&nbsp;How do you know where your manuscript sits in the market?&nbsp;&nbsp;<\/p>\n\n\n\n<p>As a literary agent, I spend&nbsp;a&nbsp;good chunk of my career&nbsp;working on fiction, thinking about how novels are marketed and&nbsp;trying to gauge&nbsp;which publishers will go for the projects&nbsp;I\u2019m&nbsp;handling. Equally, in my work with Jericho&nbsp;Writers&nbsp;as an editor,&nbsp;I find&nbsp;it\u2019s&nbsp;something that authors are always curious about: when their&nbsp;manuscript is ready to go to agents, how should it be pitched, and why?&nbsp;&nbsp;<\/p>\n\n\n\n<p>Here, I hope to unpack some of the&nbsp;distinctions&nbsp;between literary and book club fiction&nbsp;and help you&nbsp;understand five&nbsp;key differences&nbsp;between them. However, the book club and literary&nbsp;genres&nbsp;are&nbsp;areas of fiction where there is some overlap \u2013&nbsp;it\u2019s&nbsp;not so definitive as, say, thriller vs romance as a contrast of genres.&nbsp;Inevitably, therefore, there will&nbsp;be some&nbsp;crossover.&nbsp;&nbsp;<\/p>\n\n\n\n<p>In&nbsp;<em>fairly&nbsp;<\/em>broad&nbsp;strokes,&nbsp;book club is often&nbsp;based around&nbsp;more&nbsp;\u2018traditional\u2019 plot&nbsp;structures and development,&nbsp;whereas&nbsp;literary&nbsp;might&nbsp;tend to&nbsp;be&nbsp;more experimental&nbsp;\u2013&nbsp;and&nbsp;foreground elements&nbsp;of&nbsp;voice, dialogue, and characterisation over plot.&nbsp;This could be put as simply as prioritising plot vs prioritising stylistic elements.&nbsp;&nbsp;<\/p>\n\n\n\n<p><strong>Structure and character arcs: clear or ambiguous?\u00a0<\/strong><\/p>\n\n\n\n<p>When approaching story structure and characterisation, most novels will follow a traditional three-act structure: set-up, confrontation, resolution. Whereas this is&nbsp;typically&nbsp;adhered to in the plot development, building of narrative tension and character arcs of book club novels, in literary fiction the boundaries are a little more blurred.&nbsp;&nbsp;<\/p>\n\n\n\n<p>Literary fiction tends to be more led by theme and character; so, if your novel is written with this&nbsp;three-act&nbsp;structure informed&nbsp;mainly by&nbsp;plot events then it would fall into the book club genre. Equally,&nbsp;if your novel is written in a way in which this&nbsp;three-act structure&nbsp;isn\u2019t&nbsp;so clearly defined (and&nbsp;perhaps your&nbsp;writing foregrounds those other stylistic aspects), then&nbsp;you\u2019re&nbsp;likely working&nbsp;in the literary genre.&nbsp;&nbsp;<\/p>\n\n\n\n<p><strong>Writing style and voice\u00a0<\/strong><\/p>\n\n\n\n<p>In terms of writing style,&nbsp;literary fiction is often championed as \u2018voice-driven\u2019.&nbsp;So, in the same way that&nbsp;structure and characterisation might inform&nbsp;approaches to the shape of&nbsp;literary fiction, so too does this level of characterisation-led storytelling often&nbsp;shape&nbsp;<em>how&nbsp;<\/em>that story is told. That is, literary fiction could be accessed through&nbsp;a unique voice with certain quirks, streams of consciousness, or in a writing style with this that reflects the character\u2019s psyche.&nbsp;&nbsp;<\/p>\n\n\n\n<p>In a literary fiction novel about an unreliable narrator, the voice might be unbroken in this stream of consciousness form, or a style point might be adopted.&nbsp;No punctuation for dialogue, for example.&nbsp;&nbsp;<\/p>\n\n\n\n<p>In the way that structure&nbsp;generally sticks&nbsp;more to the traditional three-act story&nbsp;format&nbsp;in book club fiction, an unreliable narrator might in that case be shown through the escalation and reveal of plot events&nbsp;that highlight dishonesty.&nbsp;&nbsp;&nbsp;<\/p>\n\n\n\n<p><strong>Consider your novel\u2019s concept\u00a0<\/strong><\/p>\n\n\n\n<p>Think about the \u2018high concept\u2019 of your novel. Can your novel easily be pitched in a one-or-two sentence summary that will universally be understood?&nbsp;&nbsp;<\/p>\n\n\n\n<p>Typically, if your novel has a high concept&nbsp;\u2013 if&nbsp;it\u2019s&nbsp;an easily pitch-able \u2018x does y and what happens will lead to z\u2019&nbsp;sort of a&nbsp;set-up&nbsp;\u2013 then&nbsp;you are writing more clearly in the book club arena.&nbsp;&nbsp;<\/p>\n\n\n\n<p>If the concept of the novel&nbsp;<em>isn\u2019t<\/em>&nbsp;so easy to pitch in a one- or two-liner and is more informed by themes, then that sounds like a work of literary fiction.&nbsp;&nbsp;<\/p>\n\n\n\n<p><strong>Your reading habits are a tell\u00a0<\/strong><\/p>\n\n\n\n<p>In as much as the&nbsp;old adage&nbsp;\u2018write what you know\u2019 holds water, so too does \u2018pitch the genre that you know\u2019.&nbsp;If your reading habits tend towards book club fiction, the tendency will be that you&nbsp;<em>write&nbsp;<\/em>book club fiction. The same is true for literary fiction.&nbsp;&nbsp;<\/p>\n\n\n\n<p>So,&nbsp;when you get to that stage of submitting your novel to agents and thinking about how to pitch the genre, a key thing to do would be to work backwards in thinking about how your work might reflect your reading habits, and how this might&nbsp;have&nbsp;informed&nbsp;the&nbsp;novel&nbsp;you\u2019ve written.&nbsp;<\/p>\n\n\n\n<p><strong>Remember, the line is blurred<\/strong><\/p>\n\n\n\n<p>Lastly,&nbsp;to&nbsp;caveat&nbsp;all this at the very end\u2026&nbsp;you\u2019ve&nbsp;probably come&nbsp;across a big literary hit being republished as a book club edition with questions for discussion at the end. The boundaries are clear in the distinctions&nbsp;I\u2019ve&nbsp;outlined&nbsp;above, but the&nbsp;end product&nbsp;of this all is publishing as a business: these genre boundaries&nbsp;<em>aren\u2019t,&nbsp;<\/em>as mentioned, akin to romance vs. horror.&nbsp;&nbsp;<\/p>\n\n\n\n<p>Although you should&nbsp;definitely understand&nbsp;what&nbsp;you\u2019re&nbsp;writing and how you should pitch it, there is room for manoeuvre in a publishing market that is (we hope) constantly developing.&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>As an author, approaching genre can be tricky \u2013 particularly&nbsp;when you consider&nbsp;the line&nbsp;between what could be considered as \u2018book club\u2019 and what counts as \u2018literary\u2019 fiction.&nbsp;How do you know where your manuscript sits in the market?&nbsp;&nbsp; As a literary agent, I spend&nbsp;a&nbsp;good chunk of my career&nbsp;working on fiction, thinking about how novels are marketed and&nbsp;trying<\/p>\n","protected":false},"author":27807,"featured_media":780253,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[257],"tags":[434,29177,29330],"class_list":["post-907788","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-topic-literary-fiction","tag-literary","tag-genre","tag-literary-agent"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.2 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Jericho Writers<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/jerichowriters.com\/five-key-differences-between-book-club-and-literary-fiction\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta 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