{"id":894506,"date":"2026-03-13T09:34:20","date_gmt":"2026-03-13T09:34:20","guid":{"rendered":"https:\/\/jerichowriters.com\/?p=894506"},"modified":"2026-03-13T09:34:22","modified_gmt":"2026-03-13T09:34:22","slug":"scanning-the-holds","status":"publish","type":"post","link":"https:\/\/jerichowriters.com\/scanning-the-holds\/","title":{"rendered":"Scanning the holds"},"content":{"rendered":"\n

Before I start, I just want to say that you guys did a good job on the Johari window \/ Feedback Friday exercise last week.<\/p>\n\n\n\n

When I wrote the email and then set the exercise, I did wonder if lots of you would just think, \u201cHuh? What?\u201d and ignore the challenge. But you didn\u2019t. If you haven\u2019t already looked at the discussion, then do<\/a>. (If you\u2019re not a member of Townhouse, that link won\u2019t work, but you can sign up for free here<\/a>. You now don\u2019t even need to set a password: you can just use your Google account to wave the magic wand.)<\/p>\n\n\n\n

Anyway. Hold-scanning: the topic of the email.<\/p>\n\n\n\n

I used to climb pretty regularly at a climbing wall centre in Oxford. I\u2019m not an especially good climber, but there were plenty of really strong people climbing there.<\/p>\n\n\n\n

Indoor climbing (especially bouldering, which is what I mainly did) tends to be short and intense. You attempt a hard route, and either get to the top (yay!) or drop off at some point along the way. Either way, your muscles should be burning a bit, so that even if you want to re-attempt the route, you need to rest a couple of minutes before you\u2019re in a state to go again.<\/p>\n\n\n\n

So: you have two minutes when you\u2019re resting and not climbing. Or, in fact, you have quite a lot of those two-minute windows. What do you do with them?<\/p>\n\n\n\n

One option is just to lie on your back and pant and look at the super-climbers who seem to bounce up routes that you can\u2019t even contemplate.<\/p>\n\n\n\n

But there\u2019s an alternate strategy, and a better one.<\/p>\n\n\n\n

You still lie on your back. And pant. And look at the super-climbers.<\/p>\n\n\n\n

But this time, you really<\/em> look at them. When they move so effortlessly onto that bulgy yellow hold you can barely reach, do you notice that they rock their weight away<\/em> from it, before moving back towards it? Maybe that pendulum motion is part of what gives them that mysterious ability to grab it.<\/p>\n\n\n\n

Or as they swarm up that overhanging wall, do you notice that they\u2019re not readjusting their hands on the hold each time?  Maybe the seconds they shave from not readjusting their grip means they\u2019re less likely to run out of puff near the top?<\/p>\n\n\n\n

The climber who uses his or her lying-down-and-panting time to study other climbers is much more likely to progress than the rest.<\/p>\n\n\n\n

The same is true, my darling sparrow, my blue-footed booby, of you.<\/p>\n\n\n\n

Obviously, when you write, you work hard at putting down the best prose you can to tell the strongest story possible. Jolly good. Here\u2019s a fresh worm for you by way of reward.<\/p>\n\n\n\n

But what about when you\u2019re doing the writer-equivalent of lying down and panting? What do you do then?<\/p>\n\n\n\n

Specifically, when you read published work by others, how<\/em> do you read it?<\/p>\n\n\n\n

I know when I was engaged in writing my first novel, I became obsessed with trying to understand how other writers were achieving the effects they were achieving. If they did something great \u2013 how did they do it? If they did something disappointing \u2013 what lay behind that failure?<\/p>\n\n\n\n

The act of reading changed completely for me. I\u2019m now a bit less obsessive than I was, but not all that much. My editor-brain is now so automatic, I can\u2019t switch it off.<\/p>\n\n\n\n

It should be the same for you.<\/p>\n\n\n\n

When you\u2019re reading, not writing \u2013 use that time to learn. Every novel (and plenty of non-fiction) has things to teach you, but you\u2019ll only hear those teachings if you\u2019re alert to the messages.<\/p>\n\n\n\n

If you read a book by John Smith \u2013 are his sentences better than yours? Are his descriptions more evocative? If they are: why? Does he use more complex words? (Probably not.) Does he pick out better details? If so, what makes those details better than yours? Are you not writing<\/em> your description as well, or are you not seeing<\/em> the scene in the first place with as much clarity?<\/p>\n\n\n\n

If you read a book by Jane Brown \u2013 is her plotting better? More exciting? How does she generate the excitement? Is it greater speed (more car chases)? Or is it greater depth (greater emotional jeopardy during the chase)?<\/p>\n\n\n\n

You have to track these things down. It\u2019ll change the way you read, but so much the better. It should do.<\/p>\n\n\n\n

FEEDBACK FRIDAY \/ That bulgy yellow hold<\/h3>\n\n\n\n

Bit of an experiment this week, but let\u2019s give it a go.<\/p>\n\n\n\n

Take a 250-word chunk of text from your work in progress. Pop it up on Townhouse with title, genre, and any context we need.<\/p>\n\n\n\n

Please title your post in this format: Genre \/ title \/ [anything else if you want].<\/em><\/strong> That helps others navigate a big old forum with speed. When you’re ready, you can post it here<\/a>.<\/p>\n\n\n\n

Then \u2013 ignore your work. Go and jump around on other people\u2019s posts. In each case, read the work and give a comment on it. Aim to do that with 5-10 posts in total.<\/p>\n\n\n\n

And I don\u2019t just want a comment \u2013 I want a useful<\/u><\/em> comment.<\/p>\n\n\n\n

A comment that\u2019s good is, \u201cThe second sentence is given particular menace by noting the knife\u2019s blade as well as the vase of daffodils. This is a domestic scene, yes, but we already feel the edge of danger.\u201d That\u2019s specific<\/strong> and reproducible<\/strong>. OK, you may not want to write a knife-blade and daffodil sentence of your own, but you can use the insight you just had when writing your own material.<\/p>\n\n\n\n

A lousy comment is, \u201cI really liked this. It felt atmospheric.\u201d That\u2019s not specific at all. (What did you like? How did the author create the atmosphere?) And because it\u2019s not specific, it\u2019s not reproducible. It gives you no insight into how you can achieve (or avoid) the same effects.<\/p>\n\n\n\n

I don\u2019t actually mind if you pop work of published authors up on Townhouse instead of your own. But the heart of this exercise is in the comments you make. Flap to it, my crested grebe. Jump to it, you wagtails and oystercatchers. I\u2019m going to be very interested to see how we do.<\/p>\n\n\n\n

Til soon.<\/p>\n\n\n\n

Harry<\/p>\n","protected":false},"excerpt":{"rendered":"

Before I start, I just want to say that you guys did a good job on the Johari window \/ Feedback Friday exercise last week. When I wrote the email and then set the exercise, I did wonder if lots of you would just think, \u201cHuh? What?\u201d and ignore the challenge. But you didn\u2019t. If<\/p>\n","protected":false},"author":32,"featured_media":815759,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[29292],"tags":[29212],"class_list":["post-894506","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-harrys-friday-email","tag-harrys-friday-email"],"acf":[],"yoast_head":"\nJericho Writers<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/jerichowriters.com\/scanning-the-holds\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Scanning the holds – Jericho Writers\" \/>\n<meta property=\"og:description\" content=\"Before I start, I just want to say that you guys did a good job on the Johari window \/ Feedback Friday exercise last week. 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