{"id":805989,"date":"2025-07-16T15:53:30","date_gmt":"2025-07-16T14:53:30","guid":{"rendered":"https:\/\/jerichowriters.com\/?p=805989"},"modified":"2026-03-05T14:41:29","modified_gmt":"2026-03-05T14:41:29","slug":"my-experience-on-the-ultimate-novel-writing-programme-month-4","status":"publish","type":"post","link":"https:\/\/jerichowriters.com\/my-experience-on-the-ultimate-novel-writing-programme-month-4\/","title":{"rendered":"My experience on the Ultimate Novel Writing Programme: Month 4"},"content":{"rendered":"\n

Hello again! Welcome back to my series of insights into what it\u2019s like to be part of the Ultimate Novel Writing Programme<\/a>.\u00a0\u00a0<\/p>\n\n\n\n

This month feels like a deeply personal and challenging one: we\u2019re spending the month covering character, in all its facets. I have a theory that this aspect of writing is where the maxim, \u201cWrite what you feel<\/em>,\u201d comes most to the fore. I see myself and my experiences in every main character I\u2019ve ever written, to a greater or lesser extent. I hear my values in their dialogue. I recognise the resonance of my soul in theirs and, to be perfectly honest, I can\u2019t actually imagine writing stories in any other way.  <\/p>\n\n\n\n

I\u2019m not talking about writing characters that match only my characteristics, my physical attributes, my socio-economic categorisation, my place of birth or the places I\u2019ve chosen to live in. For instance, the two main characters in the manuscript I\u2019m writing on the Ultimate Novel Writing Programme<\/a> are, respectively, a\u00a0male, 60-year-old, ex-special forces vagrant with PTSD, and a 20-year-old orphaned woman, living in a Suffolk commune. Both have significant powers of clairvoyancy. \u00a0<\/p>\n\n\n\n

This, to probably nobody\u2019s surprise, is not my actual<\/em> life experience. No, what I mean is that I want to populate my stories with people who connect me to the commonality we all share: the frailty, the bravery, the drag of secret shame, the lift of delicate hope, our mortality and the knowing, innate within, that at some point this life will end. Beneath everything, I believe we\u2019re not all that different to one another.  <\/p>\n\n\n\n

I have another theory that the characters who arrive for each of us writers are embodiments of a particular, and highly personal, call to romantic adventure. The types of characters that turn up for me are an embodiment of what adventure means to me. They\u2019re configured according to what my next lesson is, my next challenge. Us writers, us artists, us humans \u2013 we\u2019re not built for safety. I reckon we\u2019re built for lives of progress and questing! The characters that have gathered in my imagination across the years are not mere chance or some random coincidence \u2013 they mean something to me. In pursuing them, getting to know them across the one-hundred-thousand or so words I write, as I carefully observe them, record their actions and reactions, I am changing myself. My hope is that I am skilled enough to render them accurately, such that the spirit of adventure is a shared one \u2013 recognised in the hearts and imaginations of readers.  <\/p>\n\n\n\n

I asked my writer-friends how their characters came to them. They spoke of their characters becoming great friends, of feeling shy of them at first, of falling in love with them. They even spoke of writing them as a form of magical possession; of being inhabited by a spirit who wishes to be known, sketched and seen. I love that idea. <\/p>\n\n\n\n

Aren\u2019t the best books, the ones that stay with us, comprised of characters who we recognise in some way? There’s a relatability to them, their humanity playing out in ways that make it easier to identify ourselves in all our perfection and limitations. It was always a book that enabled me to put words to a particular feeling or emotion. Penny-drop moments of concentrated complexity can be delivered in a sentence or two, like a light going on: \u201cOh, that\u2019s it!\u201d  <\/p>\n\n\n\n

My final theory, therefore, is that it\u2019s only books that can deliver this straight-to-the-point, I-get-it feeling. Paintings can move, sculpture can awe, music can inspire, films can amuse. But the written story is the sharpest, truest, longest-lived art form.  <\/p>\n\n\n\n

Why? Because stories feature people in close-up, specific focus (no matter what narrative\/psychic distance the author wields) and, being constructed of words on a page, they require complex focus and brainwork to read. Imagination takes effort, or sustained cognitive engagement, as the men in white coats might say. For this reason alone, it behoves us writers to come up with the most compelling, intriguing, daring (in all forms of courageous thought and action) characters we can muster \u2013 as a gift to both our own growth, but also to our readers. And where else better to go so wholly into the practical aspects of your<\/em> story and your<\/em> characters than right here on the Ultimate Novel Writing Programme<\/a>?\u00a0\u00a0<\/p>\n\n\n\n

Rachel Davidson is a long-term Premium Member of Jericho Writers prior to joining our Writer Support Team, Rachel loves helping hopeful writers, such as herself, to solve their problems and take a step or two closer to achieving their writing dreams. Rachel has previously self-published a trilogy, the first of which achieved bestseller status in fourteen Amazon categories in the UK, US, Australia and Canada and is now seeking her traditional publishing debut with her latest manuscript. You can find out more about Rachel via her Instagram\u00a0@RachelDavidsonAuthor<\/a><\/strong>.<\/p>\n","protected":false},"excerpt":{"rendered":"

Hello again! Welcome back to my series of insights into what it\u2019s like to be part of the Ultimate Novel Writing Programme.\u00a0\u00a0 This month feels like a deeply personal and challenging one: we\u2019re spending the month covering character, in all its facets. I have a theory that this aspect of writing is where the maxim, \u201cWrite<\/p>\n","protected":false},"author":36332,"featured_media":789132,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[29340],"tags":[29266],"class_list":["post-805989","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-unwp-experience","tag-ultimate-novel-writing-programme"],"acf":[],"yoast_head":"\nJericho Writers<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/jerichowriters.com\/my-experience-on-the-ultimate-novel-writing-programme-month-4\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"My experience on the Ultimate Novel Writing Programme: Month 4 – Jericho Writers\" \/>\n<meta property=\"og:description\" content=\"Hello again! 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