{"id":684,"date":"2020-11-27T07:34:33","date_gmt":"2020-11-27T07:34:33","guid":{"rendered":"https:\/\/jerichowriters.com\/?p=684"},"modified":"2025-05-09T10:21:41","modified_gmt":"2025-05-09T09:21:41","slug":"kate-armstrong-on-book-critiques","status":"publish","type":"post","link":"https:\/\/jerichowriters.com\/kate-armstrong-on-book-critiques\/","title":{"rendered":"Book Critiques"},"content":{"rendered":"\n

Guest author and blogger Kate Armstrong shares her story of publishing\u00a0The Storyteller<\/a>\u00a0after a manuscript critique from us.<\/strong><\/p>\n\n\n\n

It was 2013. Summer. I was a nervous management consultant who had once, a long time ago, been an English student. I was opening an assessment report on the draft of my first novel.<\/p>\n\n\n\n

I\u2019d sent it off for a professional reading a fortnight previously. In that fortnight I\u2019d obsessively researched Jessica Ruston, who would be writing the report. The subjects of her books were very different from mine; maybe she wouldn\u2019t get what I was trying to do. But then again, maybe she would read it and be astounded at my debut genius.<\/p>\n\n\n\n

In my wildest dreams, Jessica would declare this was the best writing since Plath \u2013 better even than Plath \u2013 and I would be turning away agents dangling golden contracts. In my nightmares, the report would come back dripping with pity and rejection.<\/p>\n\n\n\n\n\n

The reality was of course neither one nor the other. When I summoned my bravery to open the file, I found a thorough, balanced, extremely helpful set of comments. Jessica had understood the novel perfectly well. She pointed out both its strengths and where it was not yet good enough, and mostly I agreed. She found it \u2018unusual and thoughtful\u2019, praised the writing, and recommended more work on character and plot. I breathed a sigh of relief, and got to work on the next draft.<\/a><\/p>\n\n\n\n

Fast-forward three years, and that novel, The Storyteller<\/em>, is being published by Holland House Books. It has, as they say, been a journey.<\/p>\n\n\n\n

Along the way I\u2019ve learned how to take rejection<\/a>, and how to accept graciously while keeping my hysteria in check. I\u2019ve learned that an agent response of \u2018you write incredibly well\u2019 can be immediately followed by \u2018but we don\u2019t think we could place this\u2019. I\u2019ve learned how to do social media<\/a> more effectively and how to write a blog<\/a> that is true to who I am. I\u2019ve pitched articles to magazines, and some of them have come off.<\/p>\n\n\n\n

I feel that I\u2019ve been learning a new trade. Because that of course is what it is; both the writing and the \u2018being a writer\u2019. I\u2019m published by a passionate literary independent, but passion does not go hand in hand with a huge marketing budget, so much of the marketing responsibility is mine. That was an eye-opener.<\/p>\n\n\n\n

The other eye-opener was how fast the book became an object separate from me. Other people had views on how it should be edited, what the cover should be like, how to market it. Cutting the umbilical cord \u2013 seeing it as a product in a market \u2013 was something I was unprepared for.<\/p>\n\n\n\n

The Storyteller<\/em> is a very personal book in many ways. It draws heavily on my experiences of mental ill health and its aim, so far as it has one, is to share those experiences with others. It is also a coming of age novel, and a story of friendship, first love and betrayal. Whatever your definition of \u2018literary\u2019, it is certainly in that camp. It is, for my sins, narrated in the second person. (I had written it before I read articles advising against.) It is fuelled by atmosphere and character and not so much by plot. It has unsettled many of its readers. I hope it will continue to do that.<\/p>\n\n\n\n

But regardless of what it does for its readers, it has already changed my life. That life change is nothing external: I have no idea how it will sell. My dreams are of a prize-winning best-seller, my nightmares that only my mother-in-law will buy a copy. Neither is likely to happen.<\/p>\n\n\n\n

No, the change has been inside. Before I wrote it I could not share my life long experiences of depression, and I didn\u2019t believe that I could write.<\/a> When my publisher offered a contract it took me 18 months to accept; I didn\u2019t think the book, or I, was good enough. Once the contract was signed I was too embarrassed to tell anyone, too ashamed of the content, too scared of what exposure as a writer would mean.<\/p>\n\n\n\n

Over the last year I have moved past all of those blocks. I am definitely now \u2018a writer\u2019, and that is where I want to be. I have risked sharing some of the things that go on deep inside. I have welcomed other people into my world. Most of all I have built the psychological platform to keep on writing honestly and openly, and in the way that is most true to who I am.<\/p>\n\n\n\n

\n\n\n\n\n","protected":false},"excerpt":{"rendered":"

Guest author and blogger Kate Armstrong shares her story of publishing\u00a0The Storyteller\u00a0after a manuscript critique from us. It was 2013. Summer. I was a nervous management consultant who had once, a long time ago, been an English student. I was opening an assessment report on the draft of my first novel. I\u2019d sent it off<\/p>\n","protected":false},"author":2,"featured_media":481911,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[28666,24,17],"tags":[27486],"class_list":["post-684","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-editing","category-success-stories","category-publishing-industry","tag-get-published"],"acf":[],"yoast_head":"\nJericho Writers<\/title>\n<meta name=\"description\" content=\"Author Kate Armstrong shares how she got published after manuscript feedback from us. 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