Last week, we talked about how you can manage your affairs effectively even if you feel daunted by the potential scale of the marketing challenges involved in modern bookselling.<\/p>\n
This week I want to pick up the thought I ended with: leaky pipes and thirsty sweet peas.<\/p>\n
Let\u2019s assume your book is on sale on Amazon. Let\u2019s assume you can throw as much traffic as that page as you could reasonably wish.<\/p>\n
I don\u2019t know whether your book is for sale yet, but the second assumption is certainly true. You can<\/em><\/u> throw traffic at your Amazon page. As much as you want. You can buy advertising on Facebook, on Bookbub and on Amazon itself. There are dozens of other traffic sources available too.<\/p>\n So the two basic needs for any sale campaign are perfectly doable. You can create the product and you can generate a flow of potential buyers.<\/p>\n So is there anything to stop your book selling well, pleasing readers and putting money in your pocket?<\/p>\n Well: yes and no.<\/p>\n No: there\u2019s no reason why that shouldn\u2019t be possible in theory.<\/p>\n But yes: most indie authors (and plenty of trad publishers) foul it up in practice. And it\u2019s not too hard to figure out why.\u00a0<\/p>\n Let\u2019s start with a simple thought experiment. What would it be for a book\u2019s marketing campaign to run perfectly? What would perfection actually look like? And to simplify the thought experiment, let\u2019s refine that a little. Assume all your book sales are on Amazon \u2013 or at least, let\u2019s ignore other retailers for now.<\/p>\n So, a perfectly tuned marketing machine would look like this<\/strong>:<\/p>\n If 1000 people saw your book listed on an Amazon search page, that would convert into 1000 sales, 1000 reviews, and 1000 additions to your email list.<\/p>\n Now, OK, that won\u2019t happen, but the thought experiment is still useful. Let\u2019s look again at the marketing funnel and identify what the key conversion points are:<\/p>\n Amazon, of course, controls most of the real estate of your book page, so you have a limited number of elements under your direct control. The key ones there are: cover (again, and in a larger size this time), title, blurb, price and reviews. Of these, the two critical ones are going to be blurb and cover.<\/p>\n Oh yes, and for plenty of readers, but not all, the purchase decision will be swayed by a quick visit to the \u201cLook Inside\u201d view of your book. The key conversion factor there? A blindingly good bit of opening text.<\/p>\n 4. Compel 100% of your readers to read your book right to the end<\/strong> That\u2019s scary stuff. Most readers don\u2019t finish most books. But the absolute key conversion factor in terms of your longer term career is simply this: Does your book get read? Would anyone want to buy another book by you?<\/p>\n 5. Get all your readers to (a) review the book, (b) buy the next in the series, and (c) sign up to your readers\u2019 club<\/strong> It\u2019s not uncommon, still, for trad-published books to do an appalling job of hooking readers in for the long haul, but plenty of indies mess up as well. If you only have a timid \u201cPlease subscribe to my newsletter\u201d somewhere in the copyright notices and other boring rubbish at the back of the book, then no one will subscribe. So your mailing list won\u2019t grow. Similarly, if you don\u2019t ask for reviews at all, or don\u2019t ask in the right way, or don\u2019t supply a one-click link to the relevant review page, then you\u2019re not likely to get reviews.<\/p>\n 6. Get readers to open and read every email they send<\/strong> What makes the difference here? It\u2019s how much value your emails generally deliver, plus some technicalities around avoiding users\u2019 spam filters and that kind of thing. Mostly though, it\u2019s content, content, content. Do you write stuff that readers want to read?<\/p>\n 7. Get 100% sales from your list at launch<\/strong> Now, pretty obviously, no one has the perfect marketing system, or anything close.<\/p>\n If your book page converts at even 20%, that will be an excellent result. (In other words, 1 in every 5 readers will end up buying your book having landed on your book page.) If you are selling your ebook at $4.99, you would do well to achieve even that conversion rate.<\/p>\n If 75% of readers actually finish your book, that will place you amongst the most successful titles out there.<\/p>\n As for email list sign ups, you would do well to get 1 in every 10 people signing up for your list.<\/p>\n An open rate of 40% on emails would be strong.<\/p>\n And what about the percentage of people who, having bought book #1 in your series, go on to buy books #2, #3 and #4? That\u2019s a massively important stat. If you have a series that is three or more books long, then you should be aiming for a series readthrough of 50% or better. (ie: if you sell 1000 copies of book #1, you sell at least 500 of book #3.)<\/p>\n These things matter a vast amount.<\/p>\n Go back to the idea we started with: you have a book. You can easily generate traffic to the relevant sales page. Bingo. Your career is made.<\/p>\n Except that it costs you money to generate that traffic. And whether that traffic will end up generating revenue depends entirely on how leaky your sales system is.<\/p>\n And when do you think paid advertising is likely to work the best:<\/p>\n Put like that, it\u2019s really obvious that advertising just can\u2019t work if the rest of your system is leaky. Indeed, since the price of ads will be driven up by professional authors who have a non-leaky system, there\u2019s no chance at all that authors with a badly leaking system can make money.<\/p>\n And that\u2019s why, in almost every case, when people tell me \u201cI tried advertising but it didn\u2019t work\u201d, the principal issue doesn\u2019t lie in the advertising itself. It lies in all the stuff that has to be right before any kind of marketing activity is going to succeed.<\/p>\n That\u2019s why most people fussing over their blog tour, or their social media posts, or their CPC on Facebook ads are simply looking at the wrong thing. Those things matter only if the rest of your system is already up to scratch.<\/p>\n These considerations are most keenly felt by indie authors, as they have all the levers of marketing power under their own direct control. But trad authors face the same basic challenge: building a leak-proof marketing system. Yes, it\u2019ll be their publishers who face the challenge of driving traffic to a page, but in the end, it\u2019s the author who cares most about the end result.<\/p>\n Is your book good enough?<\/strong><\/p>\n Is your cover strong?<\/strong><\/p>\n Is your blurb attractive?<\/strong><\/p>\n Do readers sign up to and engage with your mailing list?<\/strong><\/p>\n You need your answers here to be emphatically positive. If you are an indie, and you recognise that you could do better on these issues, then your first task is to fix them.<\/p>\n If you\u2019re trad-published, and these things aren\u2019t right, then you need to do what you can to secure the changes you need. (Which will be harder, because you don\u2019t have direct control.)<\/p>\n These things are hard. And they are time-consuming. And some of them cost money. (Primarily editorial help and book covers.) But you have to do them anyway.<\/p>\n If your irrigation pipes leak, your plants won\u2019t get watered, no matter how wildly you turn the tap.<\/p>\n If your irrigation pipes are reasonably watertight, then watering your plants is child\u2019s play.<\/p>\n Sermon over.<\/p>\n I am now going to supervise my children using a real and actual hose to water some real and actual sweet peas. My prediction? We will all get very wet.<\/p>\n","protected":false},"excerpt":{"rendered":" Last week, we talked about how you can manage your affairs effectively even if you feel daunted by the potential scale of the marketing challenges involved in modern bookselling. This week I want to pick up the thought I ended with: leaky pipes and thirsty sweet peas. Let\u2019s assume your book is on sale on<\/p>\n","protected":false},"author":32,"featured_media":6491,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[29292],"tags":[],"class_list":["post-6489","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-harrys-friday-email"],"acf":[],"yoast_head":"\n\n
\n
You need to fully optimise your title, subtitle, categories and keywords to achieve this. That means identifying the key bestseller lists where your readers are likely to assemble and figuring out what search terms people actually use to find books like yours.\n<\/li>\n
The only conversion tools you have here are title, cover, price and reviews. Price isn\u2019t really a factor on its own, in the sense that you\u2019ll be competing against other similarly priced titles. Equally, you\u2019re not very likely to stand out from the competition via title alone or (in the early days) reviews. So that says that getting your cover right is a vastly important factor. Perhaps the single most important one in selling your book.\n<\/li>\n
\u00a0OK, so now you have got potential readers to leave the search page and arrive at your book page. Great. That\u2019s a key step in your conversion channel. And please note, that while a lot of readers will find your book page via some kind of Amazon search, plenty of readers will arrive directly at your book page from somewhere else completely: a social media post, a link in an ebook, an email, a blogger talking about your book, or anything else. So for some readers at least the Amazon leg of the marketing journey starts right here, with your book page.<\/li>\n<\/ol>\n
\u00a0No doubt about what the key factor here is: does your book please the reader? Most books aren\u2019t read. According to data gathered by analytics company, Jellybooks: \u201cOn average, fewer than half of the books tested were finished by a majority of readers. Most readers typically give up on a book in the early chapters. Women tend to quit after 50 to 100 pages, men after 30 to 50. Only 5 percent of the books Jellybooks tested were completed by more than 75 percent of readers. Sixty percent of books fell into a range where 25 percent to 50 percent of test readers finished them.\u201d<\/p>\n
\u00a0Writing an amazing book will be the biggest conversion factor here (and by a mile), but how good is your ebook at performing those other chores?<\/p>\n
\u00a0It\u2019s not uncommon for big publishers to have a single-digit open rate on their emails. Open rates for individual authors writing to their readers should be thirty percent or more. A really well-curated list can manage 50%. And those open rates matter, because when you come to send out the email that really matters to you \u2013 the launch email, the buy-my-book one \u2013 it\u2019s not the number of names on your list that matters. It\u2019s the number of people who bother to read what you\u2019ve sent them.<\/p>\n
\u00a0The conversion factor here will be an accumulation of everything else. But really? If people love your books and open your emails, they\u2019ll buy the next book when you tell em it\u2019s ready to go.<\/p>\n\n