{"id":6000,"date":"2019-05-31T13:00:00","date_gmt":"2019-05-31T12:00:00","guid":{"rendered":"https:\/\/jerichowriters.com\/townhouse\/articles\/late-nights-and-leakages\/"},"modified":"2019-05-31T13:00:00","modified_gmt":"2019-05-31T12:00:00","slug":"late-nights-and-leakages","status":"publish","type":"post","link":"https:\/\/jerichowriters.com\/late-nights-and-leakages\/","title":{"rendered":"Late nights and leakages"},"content":{"rendered":"<p>I had plans for today, plans that involved some interesting and actually useful work.<\/p>\n<p>But \u2013<\/p>\n<p>Our boiler sprang a leak. Even with the mains water turned off, it went on leaking through the night. Finding an engineer who could come out today (for a non-insane price) took the first half hour this morning. The engineer is coming at 3.30, and that\u2019ll eat the last part of the day.<\/p>\n<p>And \u2013<\/p>\n<p>I have a vast number of kids: four, in theory, but most days it seems like a lot more than that. And one of them, Lulu, spent most of the last couple of nights with, uh, a stomach upset. Of the intermittent but highly projectile variety.<\/p>\n<p>So \u2013<\/p>\n<p>Not masses of sleep. And today\u2019s interesting work plans have been kicked into next week.<\/p>\n<p>Which bring us to \u2013<\/p>\n<p>You. Life. Books. Writing.<\/p>\n<p>The fact is that even if you\u2019re a pro author, life gets in the way of writing all the time. Because writing isn\u2019t an office-based job, almost no writer I know keeps completely clean boundaries between work stuff and life stuff. Life intrudes all the time. Indeed, I know one author \u2013 a multiple Sunday Times top ten bestseller \u2013 whose somewhat less successful but office-based partner always just assumes that she\u2019ll be the one to fix boilers, attend to puking children, etc, etc, just because she\u2019s at home and not under any immediate (today, next day) deadline pressure.<\/p>\n<p>And that\u2019s a top ten bestseller we\u2019re talking about. Most of you aren\u2019t in that position. You\u2019re still looking for that first book deal. The first cheque that says, \u201cHey, this is a job, not just a hobby.\u201d<\/p>\n<p>So Life vs Work?<\/p>\n<p>Life is going to win, most of the time. And it\u2019ll win hands down.<\/p>\n<p>The broken boiler \/ puking kid version of life intrusion is only one form of the syndrome though. There\u2019s one more specific to writers.<\/p>\n<p>Here\u2019s the not-yet-pro-author version of the syndrome, in one of its many variants: You have one book out on submission with agents. You keep picking at it editorially and checking your emails 100 times a day. But you also have 20,000 words of book #2 on your computer and though, in theory, you have time to write, you\u2019re accomplishing nothing. You\u2019re just stuck.<\/p>\n<p>That feels like only aspiring authors should suffer that kind of thing, right? But noooooooo! Pro authors get the same thing in a million different flavours, courtesy of their publishers. Your editor quits. Your new editor, \u201creally wants to take a fresh look at your work, so as soon as she\u2019s back from holiday and got a couple of big projects off her desk \u2026\u201d. Or your agent is just starting new contract negotiations with your editor, and you are hearing alarmingly little for some reason. Or you know that your rom-com career is on its last legs, so you\u2019re looking to migrate to domestic noir, but you don\u2019t know if your agent \/ editor \/ anyone is that keen on the stuff you now write. Or \u2026<\/p>\n<p>Well, there are a million ors, and it feels like in my career I\u2019ve experienced most of them. The simple fact is that creative work is done best with a lack of significant distractions and no emotional angst embedded in the work itself. Yet the publishing merry-go-round seems intent on jamming as much angst in there as it can manage, compounded, very often, by sloppy, slow or just plain untruthful communications.<\/p>\n<p>So the solution is \u2026?<\/p>\n<p>Um.<\/p>\n<p>Uh.<\/p>\n<p>I don\u2019t know. Sorry.<\/p>\n<p>The fact is, these things are just hard and unavoidable. Priorities do get shifted. You can\u2019t avoid it. The emotional strains of being-a-writer \u2013 that is, having a competitive and insecure job in an industry which, weirdly, doesn\u2019t value you very highly \u2013 are going to be present whether you like them or not.<\/p>\n<p>There have been entire months, sometimes, when I should have been writing, but accomplished nothing useful because of some publishing drama, which just needed resolution. No one else cared much about that drama, or at least nothing close to the amount I did, with the result that those things often don\u2019t resolve fast.<\/p>\n<p>Your comfort and shelter against those storms? Well, like I say, I don\u2019t have any magical answers but, here, for what it\u2019s worth, are some things which may help:<\/p>\n<ol>\n<li><strong>Gin. Or cheap wine<\/strong>. Or whatever works. I favour beers from this fine brewery or really cheap Australian plonk. The kind you can thin paints with.<\/li>\n<li><strong>Changing your priorities<\/strong> for a bit. So if you really needed to clear out the garage or redecorate the nursery, then do those things in the time you had thought you\u2019d be writing. You\u2019re not losing time; you\u2019re just switching things around.<\/li>\n<li><strong>Addressing any emotional\/practical issues<\/strong> as fast and practically as you can. So let\u2019s say you have book #1 out on submission, you can help yourself by getting the best version of that book out (getting our excellent editorial advice upfront if you need to.) You can make sure you go to a minimum of 10 agents, and probably more like 12-15. You can make sure those agents are intelligently chosen, and that your query letter \/ synopsis are all in great shape. (see the PSes for a bit more on this.) You can write yourself a day planner, that gives some structure to the waiting process: \u201cX agents queried on 1 May. Eight weeks later is 26 June. At that point, I (a) have an agent, (b) send more queries, (c) get an editor to look at my text, or (d) switch full-steam to the new manuscript.\u201d If you plan things like that upfront, you don\u2019t have to waste a bazillion hours crawling over the same questions in your head.<\/li>\n<li><strong>Accepting the reality<\/strong>. It\u2019s just nicer accepting when things are blocked or too busy or too fraught. The reality is the same, but the lived experience is nicer. So be kind to yourself.<\/li>\n<li><strong>Find community<\/strong>. Yes, your partner is beautiful and adorable and the joy of your life. But he\/she isn\u2019t a writer. So he\/she doesn\u2019t understand you. Join a community (like ours). Make friends. Share a moan with people who know exactly what you mean. That matters. It makes a difference.<\/li>\n<li><strong>Enjoy writing<\/strong>. This is the big one, in fact. The writers who most struggle with their vocation are the ones who like having written something, but don\u2019t actually enjoy writing it. And I have to say, I\u2019ve never understood that. My happiest work times have nearly always been when I\u2019m throwing words down on a page, or editing words I\u2019ve already put there. And that pleasure means you keep on coming back to your manuscript whenever you can. And that means it gets written. And edited. And out to agents or uploaded to KDP and sold.<\/li>\n<\/ol>\n<p>Of those six, then cultivating that happiness is the single biggest gift you can give yourselves.<\/p>\n<p>And the gin, obviously.<\/p>\n<p>Harry<\/p>\n","protected":false},"excerpt":{"rendered":"<p>I had plans for today, plans that involved some interesting and actually useful work. But \u2013 Our boiler sprang a leak. Even with the mains water turned off, it went on leaking through the night. 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