{"id":592228,"date":"2023-07-12T12:10:58","date_gmt":"2023-07-12T11:10:58","guid":{"rendered":"https:\/\/jerichowriters.com\/?p=592228"},"modified":"2025-05-09T11:06:11","modified_gmt":"2025-05-09T10:06:11","slug":"cate-green-the-power-of-collaboration-in-writing","status":"publish","type":"post","link":"https:\/\/jerichowriters.com\/cate-green-the-power-of-collaboration-in-writing\/","title":{"rendered":"Cate Green: the Power of Collaboration in Writing"},"content":{"rendered":"\n

No publishing journey is ever the same, so it’s always interesting to hear different writers’ perspectives. We spoke to Cate Green, a former Festival of Writing<\/a> prizewinner (who’s also used our agent one-to-ones, mentoring, and editorial services), about her experience.<\/p>\n\n\n\n

JW: Please tell us a bit about you: how long have you been writing, and what was your journey to finding an agent like?  <\/em><\/p>\n\n\n\n

I\u2019m one of those writers who always says, \u2018I\u2019ve been writing for as long as I can remember\u2019, and it\u2019s true! I loved writing as a child at school and at home and had a special notebook for my stories and poems. I was a prize-winner in my first national essay-writing competition at the age of 18 and, although it took me many, many years to finally write a novel (let alone have one published) I never stopped writing one way or another. I\u2019ve had a career that has spanned news journalism, copywriting, and communications in the UK and France, where I have lived for almost thirty years. <\/p>\n\n\n\n

I started seriously trying to write a novel just over ten years ago and, after a couple of near misses, won the 2019 Exeter Novel Prize. That led to offers from a few agents, including one from the Prize judge, Broo Doherty of DHH Literary. I\u2019m delighted to say that Broo now represents me and negotiated my two-book deal with One More Chapter, a Harper Collins imprint. My novel, The Curious Kidnapping of Nora W.<\/em>, will be published in paperback, digital and audio in the summer of 2023. <\/p>\n\n\n\n

\n

I find that mentoring is a great way of moving ahead with a manuscript as it\u2019s so helpful to have objective feedback and support that\u2019s completely personalised to you, whatever stage you\u2019re at with your novel. <\/p>\n<\/blockquote>\n\n\n\n

JW: What resources have you found useful along the way?<\/em><\/p>\n\n\n\n

I\u2019ve never been on any writing courses as such and my first Festival of Writing back in 2012 was both a real eye-opener and a huge help in learning more about the craft of writing, and standing back to understand how to edit your own work. The agent one-to-ones were just fantastic in giving me confidence about my writing \u2013 although they didn\u2019t lead to representation, both agents asked to see my first three chapters and gave me some incredibly helpful feedback. In fact, York was also the place where I met Broo Doherty for the first time. We were both sitting at the back of a workshop and after the talk, I plucked up the courage to do a quick pitch of the novel that I\u2019d brought to the Festival that year (the first one I\u2019d written, which is now deep in a hidden drawer, where it will stay). Broo was kind enough to listen and interested enough to ask to read the first three chapters \u2013 proof that agents actually are approachable people and that sometimes things do come full circle.  <\/p>\n\n\n\n

I went back to York in 2014 and this time actually won the Best First Chapter Competition and came runner-up in Friday Night Live \u2013 second to Joanna Cannon, for whom the rest was history! I had lots of interest from agents then, but I had only written the first five or so chapters of my second (unpublished) novel and, in the end, it wasn\u2019t to be \u2013 that time. <\/p>\n\n\n\n

I naturally turned to Jericho Writers for help with manuscript critiques and mentoring. I worked for a few months with a great mentor, but we decided to part ways \u2013 for the best of reasons: I had come runner-up in the Yeovil Prize and through that found an agent. Sadly, I also parted ways with the agent several months later (see below), but hey, onwards and upwards. <\/p>\n\n\n\n

I find that mentoring is a great way of moving ahead with a manuscript as it\u2019s so helpful to have objective feedback and support that\u2019s completely personalised to you, whatever stage you\u2019re at with your novel. I later went on to work with another mentor who encouraged me to enter the Exeter Prize, so huge thanks to her! <\/p>\n\n\n\n

And book Twitter has been a great resource. I\u2019ve had so much encouragement and support from other writers, agents and editors on there \u2013 many people are so approachable and generous. Plus, it\u2019s a great way of finding out who\u2019s who and who does what in publishing. <\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

JW: Did you experience any setbacks? How did you cope with them?  <\/em><\/p>\n\n\n\n

I\u2019ve had lots of rejections from both agents and editors. To be honest, I think that having worked as a journalist and copywriter for so long means that I\u2019ve grown used to having red ink all over my work (as well as using it on other people\u2019s work!) and grown quite a thick skin. <\/p>\n\n\n\n

I\u2019d say my main setbacks were parting ways with my previous agent and, before that, coming down from the First Chapter Prize cloud when I realised that, unlike Joanna, I wasn\u2019t going to get seven agent offers and a fast track to publication. That was a blow to my morale, but the Prize meant I knew I could write and that my idea had legs, so in the end it made me determined to finish the novel and get that agent. When I finally did though, being \u2018fired\u2019 by the agency after coming very close to a publishing deal was the most difficult setback to cope with. It was a fairly big London agency which was going through some internal restructuring, including a change of role for my agent, and it made me realise that sometimes you just fall through the cracks. They didn\u2019t like the idea for my next novel \u2013 the one set for publication next year \u2013 but I really believed in it so, after a few weeks of tears and soul-searching, I just dusted myself off and decided I was going to write it. <\/p>\n\n\n\n

\n

<\/p>\n\u2026 Working with an agent while I was still writing the book was just wonderful. I had someone to bounce my ideas off and to give me honest, constructive feedback, as well as some great ideas \u2013 and who was rooting for me the whole time!<\/cite><\/blockquote>\n\n\n\n

JW: What was it like having an agent while you were still writing your book? In what ways do you think that a more collaborative approach (working with an agent\/editor) changed or will change the way you approach your writing? <\/em><\/p>\n\n\n\n

I was incredibly lucky that Broo Doherty signed me on the strength of my first ten thousand words because working with an agent while I was still writing the book was just wonderful. I had someone to bounce my ideas off and to give me honest, constructive feedback, as well as some great ideas  \u2013 and who was rooting for me the whole time! True luxury after so many years of working on my own or paying for editorial services. I\u2019ve also enjoyed working with Charlotte Ledger, my editor at One More Chapter \u2013 again, fresh eyes and a collaboration with someone who\u2019s totally on your side, loves your work and wants to make it even better is just such a positive experience. <\/p>\n\n\n\n

I\u2019m looking forward to working on book two with both of them. It\u2019s in the early stages for now, but I think the biggest change will be the challenge of a tight deadline. I know it\u2019s not the most orthodox approach, but for my first three novels, I didn\u2019t write a \u201cmessy\u201d first draft as such. I tend to keep editing until I\u2019m happy and then move on to the next chapter of the novel. But having just under a year to write the next book (and keep doing the day job and running family matters!) means I\u2019m not sure that I\u2019ll be able to work in the same way this time. I hope I can make it! <\/p>\n\n\n\n

JW: What has it been like working with a digital-first publisher? What are the benefits?<\/em><\/p>\n\n\n\n

I haven\u2019t had any concrete experience of any difference the digital side might make \u2013 except for the fact that the royalties are significantly higher than for print and audio, and that\u2019s a bonus since OMC are very experienced in selling and marketing in the digital arena. <\/p>\n\n\n\n

\n
\n

About Cate<\/h3>\n\n\n\n

Cate Green grew up in Buckinghamshire and moved to France over twenty years ago. She now lives just outside of Lyon with her husband and three daughters.<\/p>\n\n\n\n

Cate is a copywriter and a broadcast and print journalist, with more than twenty years’ experience in television, international radio, and corporate communications.<\/p>\n\n\n\n

Her debut novel, The Curious Kidnapping of Nora W<\/em>, won the 2019 Exeter Novel Prize and will be released in the summer of 2023.<\/p>\n\n\n\n

You can follow Cate on Twitter here<\/a>.<\/p>\n<\/div>\n\n\n\n

\n
\"\"<\/figure>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

No publishing journey is ever the same, so it’s always interesting to hear different writers’ perspectives. We spoke to Cate Green, a former Festival of Writing prizewinner (who’s also used our agent one-to-ones, mentoring, and editorial services), about her experience. JW: Please tell us a bit about you: how long have you been writing, and<\/p>\n","protected":false},"author":17576,"featured_media":592232,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[24,28666],"tags":[358],"class_list":["post-592228","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-success-stories","category-editing","tag-success-story"],"acf":[],"yoast_head":"\nJericho Writers<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/jerichowriters.com\/cate-green-the-power-of-collaboration-in-writing\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Cate Green: the Power of Collaboration in Writing – Jericho Writers\" \/>\n<meta property=\"og:description\" content=\"No publishing journey is ever the same, so it’s always interesting to hear different writers’ perspectives. 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