{"id":518,"date":"2020-11-26T11:14:53","date_gmt":"2020-11-26T11:14:53","guid":{"rendered":"https:\/\/jerichowriters.com\/?p=518"},"modified":"2025-05-09T10:17:36","modified_gmt":"2025-05-09T09:17:36","slug":"how-i-got-my-agent-by-paul-braddon","status":"publish","type":"post","link":"https:\/\/jerichowriters.com\/how-i-got-my-agent-by-paul-braddon\/","title":{"rendered":"Paul Braddon On How He Got His Literary Agent"},"content":{"rendered":"\n

The first in a regular new blog series, Paul Braddon takes us through his journey to finding a literary agent.<\/em><\/p>\n\n\n\n

My Writing Journey<\/h2>\n\n\n\n

The writing bug first bit as a teenager when I entered a sixth-form essay competition run by Barclays Bank and shocked myself by winning a runner\u2019s up prize.  Heady stuff! But the real surprise was how much fun telling a story could be when I wasn\u2019t being told what to write. Anyway, I was now sold on a career as a novelist and the only sensible step was to study English Literature at university… although unfortunately, after three years of Dickens, Wordsworth and the major works of Shakespeare, I was no nearer to being published.<\/p>\n\n\n\n

My biggest hurdle was thinking I knew everything just because I\u2019d read a few novels. I spent years on a lovely story titled The English Witch<\/em> \u2013 a sort of Sabrina meets Harry Potter (all before JK Rowling put pen to paper) set in the 1930s \u2013 that I couldn\u2019t interest agents in, although my friends were generous. \u2018Better than Tolkien\u2019, one told me, although that isn\u2019t as great as it sounds because he was no lover of Tolkien.<\/p>\n\n\n\n

After The English Witch<\/em>, I wrote an historical novel<\/a> about a piano-playing German girl and with it made my first sensible decision \u2013 I commissioned editorial feedback. Nervous as to what I was paying for, I opted for Jericho Writers (Writers\u2019 Workshop as it was then) on the basis that the offer included a follow up \u2018conversation\u2019, a guarantee in effect that the editor would have to do a half-decent job. In the event I got lucky and was allocated the truly excellent Liz Garner, who wrote me several extensive assessments, each followed up by a long phone call.<\/p>\n\n\n\n

I took my now much-improved piano-playing German girl manuscript to the York Festival of Writing <\/a>but failed to interest my chosen agents<\/a> in it. However, one of these agents was the fantastic Joanna Swainson, who was eventually to sign me, so not all would be lost, although of course I could not know that at the time.<\/p>\n\n\n\n

By now fed up with historical fiction, I was willing to do almost anything to succeed and turned my hand to a contemporary thriller set in Finland. The process of leaving my comfort zone was like casting off heavy boots and this book \u2013 The Butterfly Hunt,<\/em> was my best work to date. Three of the first four agents I queried <\/a>(including Joanna) requested the whole manuscript but the feedback I received was consistent, that although the first third worked, I needed to rewrite the rest. Which unfortunately was easier said than done<\/a>! I think the lesson I learned is that when you change significant elements of a carefully structured plot, you can end up twisting it completely out of shape and end up with less than what you had before.<\/p>\n\n\n\n

\"How<\/figure>\n\n\n\n

In early 2018 I started on The Actuality<\/em>, a further genre shift, this time into speculative fiction. The Actuality<\/em> is set a hundred years in the future and could be best described as a cautionary tale of friendship, love and advanced bioengineering.<\/p>\n\n\n\n

My approach to writing<\/a>\u00a0The Actuality<\/em>\u00a0came from my experience on previous projects. My method has become to first plan out an overall structure, getting the main beats in place and when I\u2019m happy with all of that, I dive in to see how I do. If this appears to work, I merely keep writing, filling in the plot details and editing chapters as I go, and if all continues to go well, in four or five months I have a reasonable first draft. That\u2019s the plan anyway, but in the case of\u00a0The Actuality<\/em>\u00a0it wasn\u2019t so simple.<\/p>\n\n\n\n

In fact, it was a massive struggle and this was because I grew to believe that the story of an AI living with her \u2018husband\u2019 at the top of a Thames-side high-rise complete with rooftop garden was almost certainly unpublishable. In the end, after rushing through the last couple of sections, I did make it to the finish line, but the word count barely scraped 62,000.<\/p>\n\n\n\n

Anxious as to what I had created, I only sent it to Joanna, hoping I could trust her not to laugh. To be honest, if she had, I would have shelved it. Instead, amazingly, she actually liked it, and liked it enough to chat about it and encourage me to expand it to a commercial length. Confidence regained, this I did, adding 18,000 words, and shortly after that in October 2018, she took me on!<\/p>\n\n\n\n

Last Piece Of Advice<\/h2>\n\n\n\n

I think, if I was passing on any advice, it would be three things. Number One (and I think most readers will have worked it out for themselves by now) \u2013 Seek Professional Advice<\/strong>,<\/a> whether that is through courses, editorial assessments or reading up on the craft \u2013 don\u2019t spend years thinking you know everything. Two \u2013 Escape Your Comfort Zone<\/a><\/strong> \u2013 perhaps try a completely different genre, you can always go back, you never know you may not want to. And Number Three \u2013 Don\u2019t Be Afraid of Trying Something a Bit Different,<\/strong> if that\u2019s what you fancy \u2013 different will stand you out from the crowd if nothing else and if there is passion behind it, that will make a huge difference too.<\/p>\n\n\n\n

Are you on the lookout for representation? If so, why not check out\u00a0AgentMatch<\/a>, our database recording all UK and US literary agents.<\/p>\n\n\n\n

Or, are you about to embark on your first round of agent submissions? If you are, then you\u2019ll probably find\u00a0this article<\/a>\u00a0really helpful! <\/p>\n\n\n\n

\n\n\n\n\n","protected":false},"excerpt":{"rendered":"

The first in a regular new blog series, Paul Braddon takes us through his journey to finding a literary agent. My Writing Journey The writing bug first bit as a teenager when I entered a sixth-form essay competition run by Barclays Bank and shocked myself by winning a runner\u2019s up prize.  Heady stuff! But the<\/p>\n","protected":false},"author":2,"featured_media":478671,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[18],"tags":[27486],"class_list":["post-518","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-agents","tag-get-published"],"acf":[],"yoast_head":"\nJericho Writers<\/title>\n<meta name=\"description\" content=\"The first in a regular new blog series, Paul Braddon takes us through his journey to finding a literary agent. 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