{"id":447,"date":"2020-11-26T10:45:48","date_gmt":"2020-11-26T10:45:48","guid":{"rendered":"https:\/\/jerichowriters.com\/?p=447"},"modified":"2023-03-03T12:14:25","modified_gmt":"2023-03-03T12:14:25","slug":"how-to-sell-a-film-script","status":"publish","type":"post","link":"https:\/\/jerichowriters.com\/how-to-sell-a-film-script\/","title":{"rendered":"How To Sell A Movie Script: Our Top Tips"},"content":{"rendered":"\n

Is Your Script Really Ready? Review, Proofread And Then Review Again!<\/h2>\n\n\n\n

Is your screenplay<\/a> ready to go out to market? How many drafts have you done? 10- 20 is the norm. It really has to be the best it can be. It also has to be meticulously presented. Standard industry format<\/a>, with no typos whatsoever. No scene numbers.<\/p>\n\n\n\n

Before even considering sending out your script, practise writing loglines and synopses<\/a> for it. A logline is a one-sentence description of your story. A synopsis is a description of the story and characters that\u2019s about one page in length. This offers you a final sense (reassurance?) that the whole storyline flows effortlessly, but they are also a necessary marketing step when trying to sell a movie script.<\/p>\n\n\n\n

However many drafts you\u2019ve done, I urge to take one more look and ask yourself some questions. Imagine you are an industry reader late on a Friday evening, desperate to get home, or a producer who\u2019s spent all weekend avoiding her slush pile and now it\u2019s Sunday night and she\u2019s tired out.<\/p>\n\n\n\n

Page One<\/strong>: Will they bother to turn the page? It has it be absolutely compelling. Keep on reading and until you\u2019re satisfied that it is bold, original, with the words leaping off the page, don\u2019t send it out. Wherever you send it, you get just one shot.<\/p>\n\n\n\n

And if in doubt<\/strong>, get feedback<\/a>. It\u2019s a new career you want to establish. Why wouldn\u2019t you invest a little in getting proper, tough advice before you get going for real and try to sell your screenplay?<\/p>\n\n\n\n

Research Film Companies, Agents And Actors That Could Be Interested In Your Script<\/h2>\n\n\n\n

Read the trades \u2013 Screen<\/em> and Variety<\/em> \u2013 invaluable info on who\u2019s looking for what.<\/p>\n\n\n\n

Go online to find film companies\u2019 websites for contact details of Heads of  Acquisitions and Development. Check out the kind of films they produce. If you want to try getting an agent (very tough now) look up online, research the writers on their lists to make sure there\u2019s a chance they\u2019d be interested in your type of script.<\/p>\n\n\n\n

If you want to try sending a script to a particular actor, call Equity in UK or Screen Actors Guild in New York or Los Angeles to get their agent\u2019s contact details.<\/p>\n\n\n\n

Go to film festivals and screenwriters\u2019 festivals. Network like mad.<\/p>\n\n\n\n

Join screenwriters\u2019 forums \u2013 lots of useful info about festivals and contests \u2013 and moral support!<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Write A Sizzling 5-8 Lines Query Letter To Describe Your Script<\/h2>\n\n\n\n

Do not send a script<\/strong>. The letter is to persuade them to ask to read it.<\/p>\n\n\n\n

Your query letter should be 7-8 lines maximum. No meandering, dull prose story of your life!<\/p>\n\n\n\n

Grab the reader in first 3 lines. Who you are, what your job is.<\/p>\n\n\n\n

Next 3 lines, a sizzling description of your script in 25 words or less. Make sure it\u2019s original and intriguing. You need to spend time on getting this right.<\/p>\n\n\n\n

End the letter with: \u2018I would like to send you my project for consideration. I look forward to hearing from you.\u2019<\/p>\n\n\n\n\n\n

Think About Your Selling Terms<\/h2>\n\n\n\n

There are two probable alternatives when it comes to selling your script. First is an \u2018option\u2019, for a certain amount of money the producer or production company will have, for a specific time, the exclusive right to try to get funding and attach names to the screenplay. In effect, it\u2019s a temporary sale. At the end of the option period, the producer can buy the script if it looks like the project can be produced, renew the option, or simply forget the whole thing \u2013 where the writer keeps control and copyright of the script.<\/p>\n\n\n\n

The second alternative is an \u2018outright purchase\u2019. After you sign this contract, you will not own the rights to your script anymore. New writers are often brought in and the screenplay dramatically changed.<\/p>\n\n\n\n

Consider Entering Specialised Contests To Gain Some Exposure<\/h2>\n\n\n\n

Winning a contest or becoming a finalist or shortlisted can give your script some kudos and encourage industry professionals who monitor these contests to contact you. There are many to choose from with different criteria and entry fees. Of the most respected: Nicholls, Blue Cat, Red Planet, Zoetrope, and Page.<\/p>\n\n\n\n

While you wait, get onto the next piece of work immediately!  If this script doesn\u2019t sell, it could get you commissioned to write a different script. Good luck!<\/p>\n\n\n\n

Other Tips<\/h2>\n\n\n\n

Do try writing some shorts. Production companies now go to short film festivals that have mushroomed in the last few years. Join film-making groups, get involved, write a great short, get a director on board. The film could win or get shortlisted at a festival and that will mean your full length script will get taken more seriously. Several writers of shorts have gone on to be commissioned to write feature-length Hollywood screenplays. Why not you?<\/p>\n\n\n\n

\n\n\n\n\n","protected":false},"excerpt":{"rendered":"

Is Your Script Really Ready? Review, Proofread And Then Review Again! Is your screenplay ready to go out to market? How many drafts have you done? 10- 20 is the norm. It really has to be the best it can be. It also has to be meticulously presented. Standard industry format, with no typos whatsoever.<\/p>\n","protected":false},"author":2,"featured_media":447371,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[21],"tags":[28575],"class_list":["post-447","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-screenwriting","tag-newsletter"],"acf":[],"yoast_head":"\nJericho Writers<\/title>\n<meta name=\"description\" content=\"How do writers sell screenplays to film agents? 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