{"id":264971,"date":"2021-01-05T14:06:23","date_gmt":"2021-01-05T14:06:23","guid":{"rendered":"https:\/\/jerichowriters.com\/?p=264971"},"modified":"2025-05-09T15:12:44","modified_gmt":"2025-05-09T14:12:44","slug":"good-opening-sentences","status":"publish","type":"post","link":"https:\/\/jerichowriters.com\/good-opening-sentences\/","title":{"rendered":"Opening Lines For A Story (Great, Effective &#038; Bad Examples)"},"content":{"rendered":"\n<p style=\"font-size:18px\"><strong>What\u2019s great &amp; effective? What\u2019s downright bad?<br>Real Examples From Real Writers.<\/strong><\/p>\n\n\n\n<p>Recently, we ran a competition soliciting <a href=\"https:\/\/jerichowriters.com\/how-to-write-beginnings-middles-and-ends\/\" target=\"_blank\" rel=\"noreferrer noopener\">opening <\/a>lines or sentences from real writers, with a small prize available for the winner. We\u2019re going to look at some examples drawn from that competition&#8230; along with my own (hyper-picky) comments about what\u2019s really good, and really effective. And what\u2019s just a bit&#8230; not so good.<\/p>\n\n\n\n<p>Before we plunge into our sentence surgery, three quick comments.<\/p>\n\n\n\n<p>First, the examples that follow are drawn from writers writing real novels (or short stories). They are, like you, serious aspiring writers, but not yet published. For the most part, we were looking at works-in-progress, so these examples were all subject to change anyway.<\/p>\n\n\n\n<p>Second, opening sentences don\u2019t matter all that much. The opening paragraph of the novel I\u2019ve just handed to my publisher ran, in its entirety, as follows:<\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p>&#8216;Rain.&#8217;<\/p>\n<\/blockquote>\n\n\n\n<p>Was that a good opening line for a novel? Well, no one asked me to change it, but <a href=\"https:\/\/jerichowriters.com\/editorial-services\/manuscript-assessment\/\" target=\"_blank\" rel=\"noreferrer noopener\">does that sentence hook a reader in?<\/a> And hook them into a story set in Wales, where the presence of rain hardly merits much discussion? I don\u2019t think so.<\/p>\n\n\n\n<p>The fact is that the process of hooking a reader usually takes longer than a sentence and writers shouldn\u2019t obsess unduly about the stuff above and to the left of the manuscript\u2019s first full stop. There\u2019ll be plenty more full stops to come.<\/p>\n\n\n\n<p>And last: I\u2019m horrible.<\/p>\n\n\n\n<p>I mean, yes, I\u2019m nice to widows, orphans and stray dogs, but I\u2019m horrible to slightly iffy sentences. I\u2019m very picky and my standards are high. So if some of my could-do-better commentary below depresses you \u2013 well, forget it. It\u2019s not you. It\u2019s me. But if you want to learn how to write opening sentences, then you probably want to look at what follows&#8230;<\/p>\n\n\n\r\n    <section class=\"free-signup-block  alignfull\" id=\"\" data-redirect=\"https:\/\/jerichowriters.com\/resource-downloads\/the-jericho-writers-vault\/\">\r\n        <div class=\"content-container\">\r\n            <div class=\"free-signup-block-container\">\r\n                                    <div class=\"free-signup-image-container\">\r\n                        <img decoding=\"async\" src=\"https:\/\/jerichowriters.com\/wp-content\/uploads\/2025\/05\/Writing-skills-Website-blocks.png\" alt=\"\">\r\n                                            <\/div>\r\n                                <div class=\"free-signup-text-container\">\r\n\r\n                    <div class=\"free-signup-text-wrapper\">\r\n                                                        <h2>Want to sharpen your writing skills?<\/h2>\r\n                                                    <div class=\"wysiwyg-container\"><p>Join our free community for instant access to: <\/p>\n<\/div>                                                    <div class=\"features-list\">\r\n                                                                    <div class=\"feature\">\r\n                                        <div class=\"icon-container\" style=\"background-color: #F7941D\"><i class='bx bx-laptop'><\/i><\/div>                                        <div class=\"feature-text\">\r\n                                            <div class=\"feature-description\">Digital tools like our character builder<\/div>                                        <\/div>\r\n                                    <\/div>\r\n                                                                    <div class=\"feature\">\r\n                                        <div class=\"icon-container\" style=\"background-color: #F7941D\"><i class='bx bxs-user-voice'><\/i><\/div>                                        <div class=\"feature-text\">\r\n                                            <div class=\"feature-description\">Peer-to-peer support &#038; 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Short, clear sentences will grab your readers\u2019 attention.<\/li>\n\n\n\n<li>Use language that will add weight to your sentences.<\/li>\n\n\n\n<li>Use your verbs correctly, and your adjectives sparingly.<\/li>\n\n\n\n<li>Opening lines don\u2019t have to be loud, subtlety is just as effective.<\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"h-opening-lines-to-novels-short-stories-examples\">Opening Lines To Novels \/ Short Stories: Examples<\/h2>\n\n\n\n<p>So much for the preamble. Now for the sentences. (No authors are named because very few of the sentences I had had named authors on the page.)<\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p><strong>Example #1<\/strong><br><\/p>\n\n\n\n<p>&#8216;There were just three things that Samine was certain of in her life; first she was dangerous; second, she was never allowed to leave her room and, third, the spirit of a dragon lived inside her.&#8217;<\/p>\n<\/blockquote>\n\n\n\n<p><em>Not bad<\/em>, though it\u2019s a little too close to Stephenie Meyer\u2019s now famed three-part&nbsp;<a href=\"https:\/\/www.theguardian.com\/childrens-books-site\/2015\/oct\/08\/greatest-twilight-quotes-stephenie-meyer-life-and-death\/\" target=\"_blank\" rel=\"noreferrer noopener\">quote from Bella Swan<\/a>&nbsp;in&nbsp;<em>Twilight<\/em>. Still, you can see what the author is wanting to do and the idea itself is fine. Here\u2019s one way of tweaking things without altering anything too much (though it brings it still closer to Stephenie Meyer\u2019s phrasing):<\/p>\n\n\n\n<p><em>There were just three things that Samine knew for certain. First she was dangerous. Second, she was never allowed to leave her room. Third, a dragon lived inside her.<\/em><\/p>\n\n\n\n<p>That\u2019s shorter, clearer. It\u2019s also better weighted. The key word in the first part of the writer\u2019s sentence is \u201ccertain\u201d. The addition of \u201cin her life\u201d doesn\u2019t add much meaning but it does de-emphasise \u201ccertain\u201d. My formulation is that bit clearer about where the interest of the sentence lies.<\/p>\n\n\n\n<p>One other thing, I\u2019m not sure if this is the place to <a href=\"https:\/\/jerichowriters.com\/a-question-of-timing-when-to-release-information-in-your-plot\/\" target=\"_blank\" rel=\"noreferrer noopener\">reveal <\/a>that Samine can\u2019t leave her room. The middle of one of the three certainties doesn\u2019t tie obviously to the other two and feels a bit different. (#1 and #3 feel like existential statements; #2 feels like a simple, known fact.) But if the middle of those three statements goes, then the whole opening needs reconsideration.<\/p>\n\n\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p><strong>Example #2<\/strong><br>&#8216;The most ironic thing about your first impression of me \u2013 I looked like butter wouldn\u2019t melt.&#8217;<\/p>\n<\/blockquote>\n\n\n\n<p>Interesting. I&nbsp;<em>almost<\/em>&nbsp;like this.<\/p>\n\n\n\n<p>My only real worry is that \u201cthe most ironic thing\u201d bit. It feels a bit like a teenage use of ironic, which is perhaps not correct given the context, but in any case, I do wonder if there aren\u2019t simpler, less laboured ways of doing the same thing. Suppose, for example, we just said this:<\/p>\n\n\n\n<p><em>Your first impression of me: I looked like butter wouldn\u2019t melt.<\/em><\/p>\n\n\n\n<p>That is surely strongly suggesting that that first impression might be way off base, yet it conveys that impression by making the&nbsp;<em>reader<\/em>&nbsp;do most of the work. As a rough guide, the more the reader feels&nbsp;<em>they\u2019ve<\/em>&nbsp;made a deduction, the more powerful that conclusion will feel.<\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p><strong>Example #3<\/strong><br>&#8216;He\u2019s stalking behind the disused factory, waiting for the flapping of wings to alert him to where you are.&#8217;<\/p>\n<\/blockquote>\n\n\n\n<p>You remember when I said I\u2019m pedantic?<\/p>\n\n\n\n<p>To&nbsp;<em>stalk<\/em>&nbsp;is a transitive verb, that is, it requires an object. I stalk&nbsp;<em>you<\/em>, etc., I don\u2019t just stalk in the abstract. So that first clause feels a bit uncomfortable.<\/p>\n\n\n\n<p>And \u201calert him to where you are\u201d also feels a little bit strained. Wouldn\u2019t \u201calert him to your position\u201d read better? And the double participle (waiting for the flapping) seems a bit needless here. But you only need a little tweaking and this is a strong, engaging opening:<\/p>\n\n\n\n<p><em>He\u2019s searching you out behind the disused factory, waiting for a sudden flap of wings to reveal your position.<\/em><\/p>\n\n\n\n<p>That\u2019s better.<\/p>\n\n\n\n<p>(Oh, you want to delete the word \u201csudden\u201d from that? Yes, that\u2019s probably better.\u201d)<\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p><strong>Example #4<\/strong><br>&#8216;The house had something American Gothic about it, though nothing it was minded to share.&#8217;<\/p>\n<\/blockquote>\n\n\n\n<p>Excellent!<\/p>\n\n\n\n<p>Nothing to pick at, except that me personally I\u2019d probably sooner say \u201chad something of the American Gothic \u2026\u201d. But it\u2019s a great, subtle opening. I like it a lot.<\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p><strong>Example #5<\/strong><br>&#8216;What do you pack when you have four minutes to leave your husband?&#8217;<\/p>\n<\/blockquote>\n\n\n\n<p>Again, that\u2019s great opening line.<\/p>\n\n\n\n<p>Oh, and you want to know&nbsp;<em>why<\/em>&nbsp;that sentence works as well as it does? It\u2019s because it makes you do a double-take. The first part of the sentence makes you think, \u201coh, this is a question about packing&#8230;\u201d<\/p>\n\n\n\n<p>The second part makes you go, \u201cwhaaaaaat?!\u201d It\u2019s that mid-sentence <a href=\"https:\/\/jerichowriters.com\/how-to-write-a-compelling-plot-twist-a-complete-guide\/\" target=\"_blank\" rel=\"noreferrer noopener\">pivot<\/a> that gives it wellie.<\/p>\n\n\n\n<p>It\u2019s also nice, because it instantly launches the reader into two important story-questions. Not just \u201cwhy is this woman leaving her husband?\u201d, but \u201cwhy does she only have four minutes?\u201d<\/p>\n\n\n\n<p>Of those two questions, it\u2019s the second one that has the greater bite. Marriages collapsing are (unfortunately) a rather everyday occurrence. Marriages that collapse and give the wife just one minute to get away \u2013 well! We want to know more.<\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p>Example #6<br>&#8216;My mother\u2019s shroud was a grubby net curtain and her coffin was a gun case.&#8217;<\/p>\n<\/blockquote>\n\n\n\n<p>You like that, don\u2019t you?<\/p>\n\n\n\n<p>Yes, and it\u2019s&nbsp;<em>almost<\/em>&nbsp;terrific.<\/p>\n\n\n\n<p>But I don\u2019t like that word \u201cgrubby\u201d, at all. It pulls attention away from \u201cnet curtain\u201d and the use of a net curtain for a shroud is quite striking enough irrespective of whether it\u2019s grubby. Just delete the adjective. The sentence gets instantly stronger. (Incidentally, all the prose-correction techniques we&#8217;re dealing with in this post are covered in much greater detail via our <a href=\"https:\/\/jerichowriters.com\/creative-writing-courses\/\">creative writing courses<\/a>. Those courses are designed to give you practical and actionable tips to improve your writing, immediately.)<\/p>\n\n\n\n<p>Also, I hope this writers is about to tell us how come the gun case was big enough to fit a mother. I mean, that\u2019s a very large case, or a remarkably small mother. So long as the author explains that niggle sometime soon, that\u2019s fine, and (once you\u2019ve deleted that \u201cgrubby\u201d) it\u2019s a good opening line.<\/p>\n\n\n\r\n<section class=\"promo-block  alignfull\" id=\"\">\r\n    <div class=\"content-container\">\r\n        <div class=\"promo-block-container\">\r\n                            <div class=\"promo-image-container\">\r\n                                            <a class=\"\" href=\"https:\/\/jerichowriters.com\/join-us\/\" target=\"_blank\">\r\n                                        <img decoding=\"async\" src=\"https:\/\/jerichowriters.com\/wp-content\/uploads\/2020\/12\/Mask-Group-13.png\" alt=\"\">\r\n                                                                <\/a>\r\n                                    <\/div>\r\n                        <div class=\"promo-text-container\">\r\n                <div class=\"promo-text-wrapper\">\r\n                    <h2>Writers, you&#8217;re home<\/h2>                    <div class=\"wysiwyg-container\"><p>With Jericho Writers Premium Membership, you get unlimited access to all our expert-led, self-paced video courses\u2014everything you need to become a better writer. Plus, our members enjoy live critique sessions, weekly writing sprints, and feedback from industry professionals. With over 280 masterclasses and a community that\u2019s with you for every word, everything you need to reach your writing goals is right here.<\/p>\n<\/div>                                            <div class=\"cta-container\">\r\n                            <a class=\"cta-btn has-background has-thriller-background-color\" href=\"https:\/\/jerichowriters.com\/join-us\/\" target=\"_blank\"><span>Join Us<\/span><\/a>\r\n                        <\/div>\r\n                                    <\/div>\r\n            <\/div>\r\n        <\/div>\r\n    <\/div>\r\n<\/section>\r\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p><strong>Example #7<\/strong><br>&#8216;It was not a good day to bury a child, let alone \u2018The Chosen One\u2019, and the more Thomas Cowper tried to console his mother the more she sobbed, \u2018Fear not, Mary&#8230; Blessed art thou amongst women.\u2019<\/p>\n<\/blockquote>\n\n\n\n<p>Hmm.<\/p>\n\n\n\n<p>I\u2019m afraid I don\u2019t rate this as an opening line. It\u2019s almost good, but gets itself into a tangle, then trips over itself.<\/p>\n\n\n\n<p>And the thing is, the best bit of this sentence is the very opening and the longer it goes on the more the writer overwrites that clean and striking opening.<\/p>\n\n\n\n<p>Some full stops would help:<\/p>\n\n\n\n<p><em>It was not a good day to bury a child, let alone \u2018The Chosen One\u2019. The more Thomas Cowper tried to console his mother the more she sobbed. \u2018Fear not, Mary \u2026 Blessed art thou amongst women.\u2019<\/em><\/p>\n\n\n\n<p>That\u2019s already a lot better. Even so, I\u2019m not completely happy. That opening line now has real merit and launches plenty of story questions (why is this a bad day? Why is a child being buried? Why is this child The Chosen One?)<\/p>\n\n\n\n<p>So if it were me, I\u2019d leave the reader dangling a bit more, before starting to answer the questions they really cared about.<\/p>\n\n\n\n<p>So I\u2019d run with the first question (why is this a bad day?), and just answer it with a description of winds and rain. Mourners getting soaked. Rain on the preacher\u2019s Bible. That kind of thing.<\/p>\n\n\n\n<p>And this approach would work because I\u2019m pretending to answer the questions I opened up with my first sentence &#8230; but not the ones the reader really cares about. It\u2019s like the reader is yelling at me, WHY ARE YOU BURYING THIS CHILD? and all I\u2019m doing is explaining why the day is a bad one. I\u2019ve basically created suspense already, and my description of the weather is just keeeeping that suspense going for longer.<\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p><strong>Example #8<\/strong><br>&#8216;Deano\u2019s hair was still wet from the pool and he swept his palm over his scalp trying to chase off the cold. \u2018Come on, cock-snot. Pick up. Please.\u2019&#8217;<\/p>\n<\/blockquote>\n\n\n\n<p>Okay, I very much like the dialogue.<\/p>\n\n\n\n<p>I like the contrast with the more formal opening line. The writing itself is fine. Just&#8230; I don\u2019t quite believe the gesture you\u2019re telling us about.<\/p>\n\n\n\n<p>When people get out of the pool their hair is normally already very flat and smoothed from the water. You definitely can\u2019t chase cold away by palming your already flat hair and it\u2019s not even a gesture most of us feel tempted to make. If he\u2019s cold, he grabs a towel, or moves into the sun, or does something other than what you tell us he\u2019s done.<\/p>\n\n\n\n<p>Picky? Yes. But getting those kinds of details utterly convincing from the off is part of what gets a reader into the story. Here, you&nbsp;<em>do<\/em>&nbsp;get the reader in, but you\u2019ve done so with a tiny \u2013 and needless \u2013 stutter upfront.<\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p><strong>Example #9<\/strong><br>&#8216;The hands on the clock didn\u2019t seem to move, unlike mine as I drummed and fidgeted on the table.&#8217;<\/p>\n<\/blockquote>\n\n\n\n<p>Hmm, this is okay, but it\u2019s not quite good.<\/p>\n\n\n\n<p>The hands-not-moving-on-the-clock isn\u2019t a cliche exactly, but it&nbsp;<em>is<\/em>&nbsp;a very familiar idea. Likewise fidgeting hands: also a very standard way of conveying impatience. Further into a novel, those kind of issues dissolve a little bit. Sometimes it\u2019s just quicker and cleaner to reach for the familiar, so the novel can hurry onto wherever it\u2019s heading. But in an opening sentence, I think any whiff of cliche threatens a reader\u2019s trust, and you need to extirpate it completely. As I say, there&nbsp;<em>isn\u2019t<\/em>&nbsp;an out-and-out cliche here, but I do think you\u2019re cycling a little too close to the edge.<\/p>\n\n\n\n<p>My verdict? Rethink this sentence from scratch.<\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p><strong>Example #10<\/strong><br>&#8216;The cat barked.&#8217;<\/p>\n<\/blockquote>\n\n\n\n<p>Everyone will want to read on to see what follows. Purrfect. That\u2019s a terrific opening line.<\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p><strong>Example #11<\/strong><br>&#8216;The fucking train is cancelled. Again.&#8217;<\/p>\n<\/blockquote>\n\n\n\n<p>Yep, good \u2013 cancelled trains as a sign of commuter distress is well-used, however, so I hope the writer has an interesting way to develop the incident. I would be disappointed in an opening page that just rehearsed the various woes of the commuter \u2013 but we\u2019re on sentences here, not pages, and the sentence itself is fine.<\/p>\n\n\n\n<p>And finally:<\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p><strong>Example #12<\/strong><br>&#8216;I had not been awake long, when I heard the knock on the door, I opened it and saw Sheriff Dennis Munroe on the porch, he stood a little over five foot six, but gave the appearance of being almost cubic he weighed over two hundred and fifty pounds and had arms like a bear, thick, powerful and covered in coarse black hair.&#8217;<\/p>\n<\/blockquote>\n\n\n\n<p>Here\u2019s one of those \u2018sentences\u2019 which is begging to be carved up. A few full stops instantly make this a mile better:<\/p>\n\n\n\n<p><em>I had not been awake long, when I heard the knock on the door. I opened it and saw Sheriff Dennis Munroe on the porch. He stood a little over five foot six, but gave the appearance of being almost cubic. He weighed over two hundred and fifty pounds and had arms like a bear, thick, powerful and covered in coarse black hair.<\/em><\/p>\n\n\n\n<p>That\u2019s a relief already, only a few remaining niggles really.<\/p>\n\n\n\n<p>Using Munroe\u2019s full name doesn\u2019t seem right, since the narrator clearly knows the guy, and we don\u2019t think of people as know as Title Firstname Lastname. Yes, you may want to give us Munroe\u2019s full name in due course, but you don\u2019t have to do it here.<\/p>\n\n\n\n<p>Secondly, that last sentence has four&nbsp;<em>and<\/em>s in it. That feels awkward, especially so early in the book.<\/p>\n\n\n\n<p>Third, how does the narrator know what Munroe weighs? I mean, the sheriff is clearly a fellow who likes his meat and potatoes, but that\u2019s different from knowing someone\u2019s measured weight. I\u2019m not convinced.<\/p>\n\n\n\n<p>And finally, a minor thing, I have a hesitation about \u2018I opened it\u2019: it\u2019s just that you\u2019re narrating every tiny incident, even those we take for granted. Better to take a slightly less blow-by-blow approach.<\/p>\n\n\n\n<p>Something like this, maybe:<\/p>\n\n\n\n<p><em>It was early, when Sheriff Munroe came calling. He stood at my door, five feet six and almost cubic. He must weigh close to two hundred and fifty pounds, and he has the arms of a bear: thick, powerful and profusely hairy.<\/em><\/p>\n\n\n\n<p>I know that last sentence still has three ands, but the restructuring helps the rhythm, at least to my ear.&nbsp;<em>And it\u2019s so much shorter!&nbsp;<\/em>It has the exact same content as the first sentence, but compresses it into a much shorter space. Result: much more energy per pound \u2013 and a much more compelling story.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"h-best-opening-lines-the-winner\">Best Opening Lines: The Winner<\/h2>\n\n\n\n<p>There, we\u2019re all done. If I must pick a winner, I\u2019ll go for:<\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p>&#8216;What do you pack when you have four minutes to leave your husband?&#8217;<\/p>\n<\/blockquote>\n\n\n\n<p>Or:<\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p>&#8216;The house had something [of the] American Gothic about it, though nothing it was minded to share.&#8217;<\/p>\n<\/blockquote>\n\n\n\n<p>I like both of those. The second is a bit more literary; the first is a terrific opening line for a psychological thriller, or something of that sort. They\u2019re both excellent.<\/p>\n\n\n\n\n\n<h2 class=\"wp-block-heading\" id=\"h-and-one-last-comment-on-story-openings\">And One Last Comment On Story Openings<\/h2>\n\n\n\n<p>The thing to remember?<\/p>\n\n\n\n<p>That your opening line it doesn\u2019t really matter. The opening sentences for my five Fiona Griffiths novels are:<\/p>\n\n\n\n<p><strong>#1: Beyond the window, I can see three kites hanging in the air over Bute Park.<\/strong><\/p>\n\n\n\n<p><strong>#2: It\u2019s a Friday afternoon.<\/strong><\/p>\n\n\n\n<p><strong>#3: I like the police force.<\/strong><\/p>\n\n\n\n<p><strong>#4: Rain.<\/strong><\/p>\n\n\n\n<p><strong>#5: \u2018Well?\u2019<\/strong><\/p>\n\n\n\n<p>None of those are good opening sentences (though none of them are terrible). And, in most cases, it doesn\u2019t take long to get something that puts a scrap of meat on the reader\u2019s dish. The opening paragraph to my second Fi Griffiths novel, for example, goes like this:<\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p><strong>Example: Love Story, with Murders<\/strong><br>It\u2019s a Friday afternoon. October, but you wouldn\u2019t think so. High clouds scudding in from the west and plenty of sunshine. The last shreds of summer and never mind the falling leaves.<\/p>\n<\/blockquote>\n\n\n\n<p>That last sentence already advertises a certain strength and confidence. The reader feels immediately placed in the mood of the story. Because the writing has that confident tone, the reader&nbsp;<em>trusts<\/em>&nbsp;me.<\/p>\n\n\n\n<p>It\u2019s as though they\u2019re thinking, \u201cOK, this is supposed to be a crime story. Nothing much seems to be happening yet, but I can tell this author knows what he\u2019s doing, so I\u2019ll stick with him and see what develops.\u201d<\/p>\n\n\n\n<p>An opening paragraph can do more if it wants to, but it really doesn\u2019t have to. Notice that this opening para sets up nothing interesting about the character, the situation, or, indeed, even the weather. It just sets a scene and does so with confidence.<\/p>\n\n\n\n<p>If your manuscript does that then, no matter how unshowy that opening sentence, you\u2019re doing just fine.<\/p>\n\n\n\n<p>Oh, and if you need a little more inspiration for your opening lines, check&nbsp;<a href=\"https:\/\/www.dailywritingtips.com\/20-great-opening-lines-to-inspire-the-start-of-your-story\/\" target=\"_blank\" rel=\"noreferrer noopener\">these<\/a>&nbsp;out.<\/p>\n\n\n\n<p>More than ready to get the ball rolling with agents, but just need a little push? Or perhaps you\u2019ve had a few rejections but aren\u2019t sure why? Our <a href=\"https:\/\/jerichowriters.com\/editorial-services\/agent-submission-pack\/\" target=\"_blank\" rel=\"noreferrer noopener\">Agent Submission Pack Review<\/a> gives you detailed professional advice on how to perfect your submission and increase your chances of securing an agent.<\/p>\n\n\n\n<p><em>Happy writing \u2013 and happy editing!<\/em><\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n\n","protected":false},"excerpt":{"rendered":"<p>What\u2019s great &amp; effective? What\u2019s downright bad?Real Examples From Real Writers. Recently, we ran a competition soliciting opening lines or sentences from real writers, with a small prize available for the winner. We\u2019re going to look at some examples drawn from that competition&#8230; along with my own (hyper-picky) comments about what\u2019s really good, and really<\/p>\n","protected":false},"author":2,"featured_media":478694,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[16],"tags":[29047],"class_list":["post-264971","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-novel-writing","tag-unwcpop1"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.2 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Jericho Writers<\/title>\n<meta name=\"description\" content=\"As an author, you need to hook readers from the first line of a novel. 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