{"id":228,"date":"2020-11-16T13:21:30","date_gmt":"2020-11-16T13:21:30","guid":{"rendered":"https:\/\/jerichowriters.com\/?p=228"},"modified":"2022-10-13T12:09:33","modified_gmt":"2022-10-13T11:09:33","slug":"screenwriting-writing-your-characters","status":"publish","type":"post","link":"https:\/\/jerichowriters.com\/screenwriting-writing-your-characters\/","title":{"rendered":"Screenwriting: Writing Your Characters Well"},"content":{"rendered":"\n<h2 class=\"wp-block-heading\" id=\"Understand-Your-Characters\">Understand Your Characters<\/h2>\n\n\n\n<p>Creating a <a href=\"https:\/\/jerichowriters.com\/how-to-write-a-script\/\" target=\"_blank\" rel=\"noreferrer noopener\">screenplay<\/a> of originality and cinematic power starts with your<a href=\"https:\/\/jerichowriters.com\/character\/\" target=\"_blank\" rel=\"noreferrer noopener\"> character<\/a>. For me, everything in a <a href=\"https:\/\/jerichowriters.com\/30-screenplays-for-every-screenwriter-to-read\/\" target=\"_blank\" rel=\"noreferrer noopener\">screenplay<\/a> is based on one overriding premise which I call emotional pull. How you spell-bind an audience into an irresistible involvement with your <a href=\"https:\/\/jerichowriters.com\/how-mannerisms-can-create-memorable-characters\/\" target=\"_blank\" rel=\"noreferrer noopener\">characters<\/a> and keep it entranced by that magic till the end of the film \u2013 and beyond \u2013 is to arouse, provoke, intrigue, disturb, excite, and exhilarate them.<\/p>\n\n\n\n<p>Emotional pull is what powers the story. It\u2019s what forces your <a href=\"https:\/\/jerichowriters.com\/character-motivation-all-you-need-to-know\/\" target=\"_blank\" rel=\"noreferrer noopener\">characters<\/a> to do what they do, when they do it and why. And when and why they try to resist it. It determines how you tell the story, the narrative impetus, the dramatic<a href=\"https:\/\/jerichowriters.com\/heros-journey-writing-compelling-story\/\" target=\"_blank\" rel=\"noreferrer noopener\"> journey<\/a>, how it moves and breathes, how it <a href=\"https:\/\/jerichowriters.com\/driving-the-story-internal-vs-external-conflict\/\" target=\"_blank\" rel=\"noreferrer noopener\">rises and falls in tension<\/a>, how it climaxes, and how it ends. It pulls two ways. It exerts its power on the people of the story, and in turn, it pulls the audience into the story. The subject of <a href=\"https:\/\/jerichowriters.com\/round-vs-flat-characters-a-complete-guide\/\" target=\"_blank\" rel=\"noreferrer noopener\">Character<\/a> in screenwriting is, then, huge.<\/p>\n\n\n\n<p>Only space here for a few pointers:<\/p>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"Compare-Scripts\">Compare Scripts<\/h2>\n\n\n\n<p>Choose a movie that\u2019s moved you. Choose a movie that hasn\u2019t. Get the two scripts&nbsp;<a href=\"http:\/\/www.imsdb.com\/\" target=\"_blank\" rel=\"noreferrer noopener\">here<\/a>.<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>Scroll to a few pages at random with each script.<\/li><li>What\u2019s happening?<\/li><li>What are you feeling as you read?<\/li><li>What response from the audience do you think the writer has intended here?<\/li><li>Try to identify what differences there are between the two scripts.<\/li><li>How would you rate each script for drawing you into an emotional connection with the character(s)?<\/li><li>Can you identify why the second movie doesn\u2019t move you? How were you responding to the character(s)?<\/li><\/ul>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"Talk-To-Characters\">Talk To Characters<\/h2>\n\n\n\n<p>Put your <a href=\"https:\/\/jerichowriters.com\/secondary-characters-definition-examples\/\" target=\"_blank\" rel=\"noreferrer noopener\">characters <\/a>on the spot, challenge them with outrageous suggestions, shout at them, get them to speak back to you with urgency and rage. This creates a wonderfully fruitful tension between you. Think of your relationship as something alive and moving and growing.<\/p>\n\n\n\n<p>You don\u2019t create unforgettable <a href=\"https:\/\/jerichowriters.com\/what-is-a-foil-character\/\" target=\"_blank\" rel=\"noreferrer noopener\">characters<\/a> already formed. Allow them to grow organically and they\u2019ll surprise you. As well as a list of age, birth order, appearance, childhood memories, friends, etc., ask your character:<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>What\u2019s your strongest memory?<\/li><li>What makes you cry? Or don\u2019t you?<\/li><li>What makes you laugh? Who\u2019s your favourite comedian?<\/li><li>Do you giggle?&nbsp;<\/li><li>What do you fear the most?<\/li><li>Has anyone ever betrayed you? How? What do you feel about that experience now?<\/li><li>Have you ever betrayed anyone? How? What do you feel about that now?<\/li><li>If you could be granted one wish what would it be?<\/li><li>If you could undo one thing you did in your life, what would it be?<\/li><li>Do you hate anyone?<\/li><li>Have you ever been in love? Are you in love now? Or have been once? Have loved and lost?<\/li><li>Have\/want to have children?<\/li><li>Anything that keeps you awake at night?<\/li><li>What do you want most in the world?<\/li><li>What is preventing from that being fulfilled?<\/li><\/ul>\n\n\n\n<p>Then start thinking about your <a href=\"https:\/\/jerichowriters.com\/12-character-archetypes-writers-guide\/\" target=\"_blank\" rel=\"noreferrer noopener\">character\u2019s <\/a>emotional needs and why they are not being met.<\/p>\n\n\n\n<p>Are they aware they have these needs at all? Even when a character does not know what they want, they can be subconsciously motivated to take certain actions to find out. Is there anyone your character knows who perceives the emotional needs although the character doesn\u2019t? How will your audience recognise these needs when the <a href=\"https:\/\/jerichowriters.com\/how-to-write-characters-not-cliches\/\" target=\"_blank\" rel=\"noreferrer noopener\">character<\/a> doesn\u2019t? This last is to do with dramatic irony, one of the most powerful techniques of all dramatic writing. Basically it\u2019s: What does the audience know that the character doesn\u2019t? Dramatic irony makes for a terrific opportunities to weave tension and suspense into the character\u2019s story.<\/p>\n\n\n\n\n\n<h2 class=\"wp-block-heading\" id=\"Backstory-Powers-Emotional-Plot\">Backstory Powers Emotional Plot<\/h2>\n\n\n\n<p><a href=\"https:\/\/jerichowriters.com\/how-to-include-backstory-in-your-novel\/\" target=\"_blank\" rel=\"noreferrer noopener\">Backstory<\/a> has to be mostly about the emotional past life of a character because the story being told in this story now is driven by impulses already set in motion. Don\u2019t take the lazy way \u2013 don\u2019t pluck a character \u2018peg\u2019 out of the air and hook it onto your character. You know the kind of thing \u2013 hard-boiled, cynical cop likes ballet.<\/p>\n\n\n\n<p>Write some scenes from your character\u2019s past: in the school playground, as a teenager, etc. Watch how (s)he behaves. Then to make <a href=\"https:\/\/jerichowriters.com\/secondary-characters-definition-examples\/\" target=\"_blank\" rel=\"noreferrer noopener\">secondary characters<\/a> help define your <a href=\"https:\/\/jerichowriters.com\/protagonist-vs-antagonist-complete-guide\/\" target=\"_blank\" rel=\"noreferrer noopener\">main character<\/a> (they absolutely must), write scenes as though the other characters in the story inhabit the main character\u2019s <a href=\"https:\/\/jerichowriters.com\/how-to-include-backstory-in-your-novel\/\" target=\"_blank\" rel=\"noreferrer noopener\">backstory<\/a>. Who\u2019s leader? Who\u2019s the shy one, etc.? This will deepen your characterisation immeasurably.<\/p>\n\n\n\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n\n","protected":false},"excerpt":{"rendered":"<p>Understand Your Characters Creating a screenplay of originality and cinematic power starts with your character. For me, everything in a screenplay is based on one overriding premise which I call emotional pull. How you spell-bind an audience into an irresistible involvement with your characters and keep it entranced by that magic till the end of<\/p>\n","protected":false},"author":2,"featured_media":473053,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[21],"tags":[28575],"class_list":["post-228","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-screenwriting","tag-newsletter"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.2 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Jericho Writers<\/title>\n<meta name=\"description\" content=\"Find out how to create engaging characters for a screenplay, so that your audience will be immersed in your world.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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