{"id":22197,"date":"2022-11-11T14:00:00","date_gmt":"2022-11-11T14:00:00","guid":{"rendered":"https:\/\/jerichowriters.com\/townhouse\/?p=22197"},"modified":"2022-11-11T14:00:00","modified_gmt":"2022-11-11T14:00:00","slug":"experimenting","status":"publish","type":"post","link":"https:\/\/jerichowriters.com\/experimenting\/","title":{"rendered":"Experimenting"},"content":{"rendered":"<p>Last week\u2019s \u2018flat-pack\u2019 email was, on the face of it, a right old mess.<\/p>\n<p>Most of my emails (including this one) take the form of short articles, the kind you might read in a newspaper. They start with a thought, develop it, and end up with some kind of conclusion. Nearly always, I try to make sure that the emails are going to be useful.<\/p>\n<p>And last week? Well, the whole thing was a jumble.<\/p>\n<p>There was no visible sequence. Yes, there was some actual advice in there (Roughly: \u201c50,000 words doesn\u2019t make a novel\u201d and \u201cthink of Nanowrimo as a way to establish strong writing habits.\u201d) But there was also a lot of apparent nonsense \u2013 an anecdote about a friend tempted to give her publisher the 100,000 words they\u2019d requested, but \u2018haven\u2019t had time to get them in the right order.\u2019 A couple of bits of housekeeping. Some misdirection nonsense about flat-pack parts missing the right sort of bolt. And so on.<\/p>\n<p>Now the crisp logic of Normal Life says that such an email ought to be a failure. Why would people want to pick through a mess when they could have a nice straightforward A to Z type read <em>like everything else in the world<\/em>?<\/p>\n<p>On the other hand: we\u2019re creatives, right? If we adhered closely to the crisp logic of Normal Life, we wouldn\u2019t be writing books or reading these emails in the first place. There\u2019s something about the subversive which appeals to us. Last week\u2019s email generated more than one reply suggesting that I write a whole novel in a kind of flat-pack form. (My reply? Yep, honestly, I\u2019d love to.)<\/p>\n<p>But flat-pack novels? There aren\u2019t so many of those, are there? I think I\u2019ve read only two genuinely flat-pack novels \u2013 <a href=\"https:\/\/en.wikipedia.org\/wiki\/The_Unfortunates\">The Unfortunates<\/a> by BS Johnson, and <a href=\"https:\/\/en.wikipedia.org\/wiki\/Dictionary_of_the_Khazars\">Dictionary of the Khazars<\/a> by Milorad Pavic. The first of those is literally a book in a box. There are 27 chapters in total, each one separately bound. One of the chapters is marked as being the first, another one is marked as the last. Apart from those two, you can read the chapters in any order you fancy. The thing is a meditation on friendship, loss, football and (I guess) the randomly associative nature of the human brain.<\/p>\n<p>The second book is presented dictionary-style with three mini-encyclopaedias (one Jewish, one Christian, one Islamic) presenting information on a people called the Khazars over various different time periods.<\/p>\n<p>Neither book has a plot. I personally didn\u2019t finish either book, nor was I especially engaged by either.<\/p>\n<p>I don\u2019t think the BS Johnson book ever sold much. The Khazars book was certainly fashionable but I seriously doubt that most people actually read it.<\/p>\n<p>Oh yes: and if your covering letter to a literary agent tells them that your work is experimental, it has already moved 85% of the way to the dustbin. First bit of actionable advice for this email: please don\u2019t tell an agent that your novel is experimental, even if it is.<\/p>\n<p>Maybe experiments are only for emails to creatives. Maybe for everything else we just need to stick to existing templates.<\/p>\n<p>And look \u2013 second piece of actionable advice \u2013 mostly the answer to that is just a YES. Stick to the formula. The formula for writing a good book already offers tons of flexibility. It\u2019s not like writing a good book is easy. The recipe is not exactly easy to follow.<\/p>\n<p>Especially if you\u2019re not yet published, I\u2019d urge you to get a regular novel right and published, before you start to mess around with the template.<\/p>\n<p>But \u2026<\/p>\n<p>If you do want to rough fiction up, then please do. Examples:<\/p>\n<ul>\n<li><strong>Twilight<\/strong>. Teen girl meets handsome boy? Yawn. Teen girl meets handsome vampire? An utterly different proposition. A tedious me-too book has just become something you want to read. (Or did, before vampires were everywhere.)<\/li>\n<li><strong>Fingersmith<\/strong>. The genteel world of Victorian-era historical fiction is ripped apart by this brilliant book with its central lesbian love story and its mad, convoluted crime plot. Utterly modern in some ways, the book also seemed more true to Victorian England than most actually Victorian books.<\/li>\n<li><strong>The Seven Deaths of Evelyn Hardcastle<\/strong>. An Agatha Christie country-house style murder? Boring. Or rather: if you wanted that, why wouldn\u2019t you read Agatha Christie and her contemporaries? But if you take the exact same concept and have one person trotting through seven different incarnations on the exact same day, you have a real beauty of a crime puzzle: like a Sudoku puzzle played in three dimensions<\/li>\n<li><strong>Maynard and Jennica<\/strong>. A brilliant novel \u2013 a debut and also (it looks like) Delson\u2019s last novel. The book tells a boy-meets-girl story (yawn) but does so via dozens and dozens of different voices. Friends and relations and casual acquaintances of the pair offer their insights on different bits of the narrative as it progresses. It\u2019s a technically virtuoso performance; I\u2019ve still never read anything quite like it<\/li>\n<\/ul>\n<p>These books didn\u2019t play by the rules. Whatever people thought Victorian historical fiction was all about, <em>Fingersmith<\/em> did something different. As a matter of fact, the natural market for <em>Fingersmith<\/em> was quite likely not with people who mostly liked historical fiction. If you generally like corsets and \u201cGood heavens, Mrs Fortescue\u201d type fiction, then Sarah Waters\u2019 take on all that was likely to make you drop your teaspoon in horror.<\/p>\n<p>But \u2013 here\u2019s the kicker \u2013 all these books totally, 100%, completely play by the rules that matter.<\/p>\n<p>You read them from beginning to end. Although authors may mess around with timelines, the reading experience is one of continuous, structured narrative. There are Big Story Questions that get asked and answered. The outcome of the whole story remains in flux at all points.<\/p>\n<p>In short: the only experiments you can get away with are experiments that nevertheless pay close and careful homage to the basic template of successful story. If you live within that template, then experimentation is nothing but a joy and a delight.<\/p>\n<p>And last week\u2019s email?<\/p>\n<p>Well, honestly, it looked like a random assembly, but it was more thoughtfully designed than that. Yes, it had a playfully digressive quality \u2013 with you, the reader, very much in on the game \u2013 but it was also carefully structured. Very roughly that email ran like this:<\/p>\n<ul>\n<li>Nanowrimo is all about writing a 50,000 word novel<\/li>\n<li>But novels aren\u2019t 50,000 words long and writing that much text at speed is only going to produce rubbish<\/li>\n<li>Then again, a thuggish \u201cjust do it\u201d approach is not a bad way to smash bad writing habits and reinforce good ones<\/li>\n<li>So maybe Nanowrimo has a point, so long as you understand what it can and can\u2019t achieve.<\/li>\n<\/ul>\n<p>If the email had genuinely just been a random spillage of facts and thoughts, I think you\u2019d have rejected it. It\u2019s the sense of purpose threaded through the random spillage that kept you (I hope) thinking that you\u2019d get something by reading on. And it was the random spillage that (I hope) kept you entertained <em>en route<\/em>.<\/p>\n<p>So experiment, yes please.<\/p>\n<p>But stick to the template.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Last week\u2019s \u2018flat-pack\u2019 email was, on the face of it, a right old mess. Most of my emails (including this one) take the form of short articles, the kind you might read in a newspaper. They start with a thought, develop it, and end up with some kind of conclusion. Nearly always, I try to<\/p>\n","protected":false},"author":32,"featured_media":22198,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[29292],"tags":[],"class_list":["post-22197","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-harrys-friday-email"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.2 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Jericho Writers<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/jerichowriters.com\/experimenting\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Experimenting &#8211; Jericho Writers\" \/>\n<meta property=\"og:description\" content=\"Last week\u2019s \u2018flat-pack\u2019 email was, on the face of it, a right old mess. Most of my emails (including this one) take the form of short articles, the kind you might read in a newspaper. They start with a thought, develop it, and end up with some kind of conclusion. 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I've published trad &amp; self-pub. Love both. Best known for my Fiona Griffiths crime series. Oh yes, and I'm the capo di tutti capi at Jericho Writers.","url":"https:\/\/jerichowriters.com\/author\/harryjericho\/"}]}},"_links":{"self":[{"href":"https:\/\/jerichowriters.com\/index.php\/wp-json\/wp\/v2\/posts\/22197","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jerichowriters.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jerichowriters.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jerichowriters.com\/index.php\/wp-json\/wp\/v2\/users\/32"}],"replies":[{"embeddable":true,"href":"https:\/\/jerichowriters.com\/index.php\/wp-json\/wp\/v2\/comments?post=22197"}],"version-history":[{"count":0,"href":"https:\/\/jerichowriters.com\/index.php\/wp-json\/wp\/v2\/posts\/22197\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/jerichowriters.com\/index.php\/wp-json\/wp\/v2\/media\/22198"}],"wp:attachment":[{"href":"https:\/\/jerichowriters.com\/index.php\/wp-json\/wp\/v2\/media?parent=22197"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jerichowriters.com\/index.php\/wp-json\/wp\/v2\/categories?post=22197"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jerichowriters.com\/index.php\/wp-json\/wp\/v2\/tags?post=22197"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}