What is it? Do you need it? Where can you get it?
Definition: What Is Developmental Editing?
In the good old days, developmental editing used to have one precise meaning. It now has certainly two, maybe three, and possibly four meanings. In short: no wonder you’re confused. And no wonder it’s unclear whether developmental editing is something you need or not.
But let’s start with those definitions. Here goes.
Developmental Editing is Structural Editing is Big Picture Editing is…
There are many names floating around that refer to roughly the same type of editing: the one that takes a step back from the line-level words and views the novel as a whole. Does the story make sense? Are these characters believable? What is the core concept promised in these pages and does it stick the landing?
In the world of books, you may come across other uses of ‘developmental editing’ but essentially, knowing that this type of editing relates to the Big Picture rather than something closer like line-editing or proofreading, which is much more concerned with grammar and syntax.
Developmental Editing As Industry Euphemism
If you are a writer hoping to be published by a big 5 publisher, you’ll be forgiven if this definition made your ears twitch, but don’t be fooled.
While ‘developmental editing’ is normal, something all authors go through with their editors, but there is a slightly rarer hidden type of editing that can, confusingly, be called by the same name.
Now and again, publishers have to deal with a manuscript they’ve commissioned, but which turns out to be absolutely dire. Think celebrity memoir of the worst sort. Or a multi-million-selling author who’s long since stopped caring about how he or she writes, because they know the money will roll in anyway.
So what to do?
Well, the standard solution in trade publishing is to do what is euphemistically called a ‘development edit’. What that actually means is that sometimes a developmental editor takes on the role of something akin to a ghostwriter. They rip out everything that’s hopeless and rebuild.
I’ve known a Big 5 editor who had done this a couple of times, and he said it was soul-destroying. He didn’t get any bonus for doing the work. He didn’t get a share of fame or royalties. He didn’t go on the chat shows or the book tours. And he was always dancing on eggshells with the Famous Author, because the author in question was very prickly about having his work slighted in any way.
Even though the work in question sucked.
Great.
So that’s the second meaning of a development edit: basically a euphemism designed to disguise what is basically a ghostwriting job on behalf of the editor in the face of a poorly-written commissioned manuscript. But that won’t happen to you, unless you are a celebrity author or a multi-million bestselling author that no longer cares about how you write, so you don’t need to worry about this one.
Developmental Editing In Self-Publishing
That second meaning – basically, “complete text overhaul” – has given rise to a third one.
Unless you’ve been sleeping under a particularly weighty hardback for the last few years, you’ll have noticed that indie authors – that is, self-published ones – have done rather well. They’ve gobbled ever more market share. Their books look better than ever before. They read better than before. They are marketed superbly. (So much so, that every single notable marketing innovation of the last few years originated with the self-pub industry. That’s astonishing. You can find out more about self-publishing here.)
Over time, whole sections of the market (romance, sci-fi) have been pretty much eaten whole by these indie authors.
But let’s say you’re one of the modern breed of self-pub demigods. You publish 4-6 books a year. You have a backlist of 20+ titles. You know how to exploit all the key marketing channels at your disposal, and you exploit ’em good. You earn, for sure, a good six-figures. Quite possibly, you’ve hit seven. A million bucks plus in annual income.
Wow! Kudos to you, my friend. We mortals bow in awe.
But those demigods still have to write the damn books! And do everything else! And sleep!
How do they fit it all in?
Well, the answer is often that those authors complete their full-length novel in 3 months – something I’ve done just once in 20 years. They’re skilled and experienced writers and they’re also just plain good. That’s why they earn what they earn. (You can’t market rubbish.)
But still. A first draft is a first draft, and first drafts aren’t normally known for their wonderful excellence.
So these pro authors often work with developmental editors. That editor’s task is basically to clean up the text. Solve plot problems. Clean up sentences. Add a bit of setting and colour, if those things are sometimes wanting. Make sure that if the hero starts with blue eyes, his eyes haven’t changed colour halfway through. And so on.
The author and the developmental editor will often form a team who know each other very well, understand each other’s roles, and produce genuinely excellent books together. That’s not how the traditional industry ever worked, except in crisis, but then again the traditional industry was never all that great at churning out authors earning six- and seven-figures a year.
Looking back at our original ‘developmental edit’ definition, you can roughly understand this to be a merge of a typical ‘developmental edit’ and a closer-inspection like a ‘line-edit’. The reason the two are merged is to save the editor and author team time.
That’s the third definition, but it brings us to the last, most relevant one:
Developmental Editing As Juiced Up Manuscript Assessment
Now for me, the gold-standard method of improving a manuscript is quite simply the good old-fashioned manuscript assessment. You write your book. You send it to an editor. You get a report back saying, in essence, “this worked, this didn’t, here’s how to fix the bits that were off.”
That sounds simple, but it isn’t. And often enough the effect of good manuscript feedback is a total revitalisation of the work. Many, many times, I’ve known a manuscript assessment to be the single most pivotal moment in a writer’s path to publication.
But –
A manuscript assessment is mostly just that. A long, written report. In the case of Jericho Writers, you get a fabulous editor, a report of no less than 3,000 words, and a long track record of success. But what you don’t get, or not mostly, is a page-by-page list of Big Picture things to think about.
And sometimes you need that too.
Sometimes you need the rounded, structural commentary of the report but with detailed page-by-page advice alongside – actual annotations on the manuscript. Comments written in Word. Sample edits made to the document itself.
This is where our definition of developmental editing comes in. The big and the small. Both things delivered together.
This kind of service is what we, Jericho Writers, offer by way of developmental editing. Others offer it too. It’s a very, very good service. It’s the ultimate gift you can give your work.
(And yes. I know. That just sounds like a sales pitch – but read on. Developmental editing isn’t right for everyone. It might not be right for you.)
Compare Similar Editing Services
Compare our Manuscript Evaluation, which is suitable for all, with our premium Developmental Editing service, which is best for those with more polished drafts.
Manuscript Assessment | Developmental Editing | |
Price | From £395 (10% discount for Premium Members) | From £473 (10% discount for Premium Members) |
Full editorial report | ||
In-text comments | ||
Short email follow-up | ||
1 hour follow-up | ||
Suitable for first drafts | ||
Suitable for later drafts | ||
2-4 week turnaround* | ||
6 week turnaround* | ||
View service | View service |
When Is Developmental Editing Right For You?
Honestly?
You want my most honest opinion here?
OK, here goes…
Developmental Editing As Industry Euphemism
Are you a global celebrity who has written a terrible book that needs reshaping by a pro?
No? Then you do not need developmental editing of this, second, flavour.
Developmental Editing In Self-Publishing
Are you a self-pub demi-god? Do you pump out 4-6 books a year and earn enough revenue to employ a pro editor?
If you do, then sure, you need developmental editing, but I don’t understand why you’re wasting your time reading this post. Go write another book.
Developmental Editing As Juiced Up Manuscript Assessment
Are you an ordinary writer slowly working your way to a manuscript (probably a novel) of publishable quality?
If you are – and I’ve been in your shoes myself – then I get why you are thinking about developmental editing. It’s a sensible thing to think about and, for maybe 10-15% of you, it’s a sensible thing to purchase.
The advantage of developmental editing is that it forces you to look at the big and the small. You’re asked to think about characterisation, and place, and story arc, and theme. And at the same time, your attention is being drawn to sloppy sentence structures, loose images, clunky dialogue, and erroneous habits of punctuation.
That is one hell of a mix and it is powerful. Yes. So developmental editing – such as we offer – is a great service. It’s awesome. It could do wonders for your manuscript.
But –
Here are some downsides:
- It’s expensive
- Many of the page-by-page points will be picked up in some way in the editorial report. You won’t normally get a complete list of (say) poor sentences, but you’ll be given examples, so you know what to look for.
- Very often the structural advice will demand some significant level of rewriting, which means the page-by-page comments may be less relevant.
- If your prose quality and general writing technique are reasonably strong, then the most important feedback will live in the editorial report anyway.
- If you go on to get an agent and a book deal, your publisher will end up paying for a full professional copy-edit (and proof-read), so they’ll end up addressing all the things that a developmental edit might have addressed – and more. That said, if your work is strong enough to do without the development edit, you should do without it. Someone else can pay.
Those things aren’t small. If you have all the money in the world, then yes, sure, hire a developmental editor. For the rest of us, the matter demands thought.
If I were advising a serious amateur writer on the subject of manuscript assessments, I’d say, “Get one if you can. It’ll probably be the biggest single jump you can make.”
If I were advising the same person in relation to a developmental edit, I’d say, “Think hard. It might or might not be right for you.”
Yeah. Helpful, I know.
Still not sure if a developmental edit is the right choice? Then you’ll probably find this article on the different types of editing really useful.
Developmental Editors
When it comes to deciding whether a developmental edit is the best fit for you and your book, it’s not just the details of the service itself that matter, but also who you choose to perform the developmental edit.
So if you’re looking for some examples of developmental editors, head to our editors page, and filter by developmental editing.
Hiring A Developmental Editor: Conclusion
In the end, whether you hire a developmental editor or not is your call. It is a great service. It is expensive. The manuscript assessment alone does normally provide most (not all) of what you need.
If you’re reading this post and still don’t know what you want, or which way to turn, then do reach out. Our customer service team at Jericho Writers are not employed to sell; they are employed to help. We don’t offer sales bonuses. We don’t hire salesmen. A good proportion of our workforce are writers like you. We’re on your side.
I’m telling you all that, because if you want to get in touch with us to ask our advice, we’ll give that advice honestly, to the best of our ability.
I hope that helps. And whatever you decide, may you and your writing thrive. In the end, that’s all that matters.